Tag Archives: Buzzfeed

What Kind of Tweeter Are You?

whatkind

Oh, dear, dear Twitter, how I love thee.  Since I never have time for television anymore, movies are too expensive and regular social gatherings terrify me, Twitter has become a combination news/ entertainment/coffee shop packaged conveniently in the smartphone belted to my hip.  After having been on it for almost three years and with an eye to noticing patterns that I’ve been told by experts that I possess, I’ve managed to categorize the users of Twitter into twelve distinct types, eleven of which are itemized here for your reading pleasure.  Group Twelve is celebrities, i.e. those privileged to be blessed with the Blue Checkmark of Twod (Twitter God), and the rules are a bit different for them, even though you might find that some of them do indeed fit snugly into a few of these.  I should attempt to weasel my way out of potential controversy even further by saying that with some exceptions, none of these are absolutes.  On our best and worst days we tumble into each of them, yours truly included.  I offer the list instead as observation and a little bit of warning.  Shake it up.  Don’t ever be a type – be a human instead.

So have at it then – and let me know if there’s another category you’ve noticed that I’ve missed.

The Shill

Apparently you have a novel or product of some sort you’d like me to express some interest in?  Your following/follower count is about equal and in the high thousands, suggesting that you’re a pretty popular fellow.  But your interactions are minimal and your tweets are variations on a theme of asking the rest of us to click on/review/ purchase your wares, implying that you’ve accumulated your flock merely by following every single person who promises that they follow back.  You have sacrificed what little remains of your humanity on the Great Altar of Commerce and your tweets appear with the tedious inevitability of television commercials.  You have essentially turned yourself into Vince, the Slap Chop Guy.  How’s that working for you?  (I’m guessing it’s not leading to record sales figures.)

The Preacher

You have a keen, unique (self-applied description, of course) insight into what ails the world and you know exactly how to fix it, if only you could get more followers to listen and spread your gospel.  It irks the hell out of you that you’re not already president/emperor/ generalissimo of your chosen realm as the ones presently in charge are irredeemable dingbats who couldn’t gather the leadership necessary to wipe themselves without peer-reviewed studies by four different executive committees.  But rather than doing something about it in the real world, you’ll settle for being a sanctimonious cyber-complainer to a sparse flock of like-minded folks.  Note of caution, however:  decisions are made by those who “show up,” not “log in.”

The Stalker

Harry Styles is your homeboy, or at least, you’d like him to be, in the tweet you sent to him 58 times today.  Though your chances of marrying him are about as good as Dick Cheney’s for winning Man of the Year from Greenpeace, you press on with dogged determination, forever believing deep inside that the next tweet will be the one he favorites.  You should be proud in some respects, in that you’re the latest in a subspecies that emerged with those people who used to hang around outside Abbey Road waiting for the Beatles to show up.  But why not do something with your life instead of devoting the entirety of it to worshipping others who’ve done a hell of a lot more with theirs?

The Oversharer

Guess what I had for breakfast?  None of your followers ever have to wonder since you provided eighteen different pictures of it, along with a detailed rundown on the quality of the service, the décor of the restaurant and your dining companion’s complaints about her BFF.  You are convinced that you are the most fascinating person to walk the planet and damn, you’re gonna strut your stuff whether or not anybody asks.  Your tweet count is up into the hundred K range already and you’ve only been on Twitter for a month.  Because nary a single moment of your mind-bendingly amazing life can slip by without you having to comment on it, leading to a veritable plethora of banality flooding a platform which was already drowning in it.

The Smartarse

Groucho’s got squat on you as you say the secret woid and weave your incisive Saharan wit through the foibles of a mediacentric universe rife with comic potential.  To you, Twitter is a personal standup comedy club, and headlines, celebrity musings, even the matter-of-fact comments of your friends can’t get past you without some kind of wisecrack.  Those you’re following dare not misspell a single word lest you jump in with a cheesy pun.  And your insecurity about wanting to be as off-the-cuff funny as Patton Oswalt is beginning to show as you wear out the screen beneath your notifications tab from rushing to check out how many times your zany zinger “Duck you, Autocorrect!” has been favorited and retweeted.

The Curator

You aspire to become a living embodiment of The Huffington Post as your feed is naught but link after link to article after article in your chosen area of expertise (usually social media, which everyone claims to be an expert in but nobody fully understands), offered for consumption without comment or original take.  I guess some people may find it helpful to have a single go-to for that latest BuzzFeed piece about the ten ways Miley Cyrus is annoying the world this week, but if you are choosing to act as endless advertising for other people’s material, shouldn’t you be getting paid for it?

The Misanthrope

The world is a bleak, nihilistic pit of darkness and despair, and anyone who follows you is bound to learn this lesson quickly.  You have taken to Twitter solely to vent profanity-filled spleen against whatever politician or celebrity has irked your delicate sensibilities lately, resulting in your achieving a record number of blockings and abuses reported from your Proustian-length list of targets.  To be fair, you do warn people in your bio that you’re mad as hell and unwilling to take it anymore, but as you have never learned the lesson about attracting flies with honey, I fail to understand how this is supposed to help you in your life’s work – which, if your employers discover your feed, will be quite short, or at the very best limited to asking about fries with that.

The Cheerleader

You are a supernova of sunshine in everything you tweet.  You provide inexhaustible encouragement, your #FF list is longer than the Great Wall, and you always retweet and have great things to say about your friends’ posts and comments.  Whenever a follower has a bad day you’re right there to perk things up with a tweetbit of timely wisdom.  Stay gold, Ponyboy, don’t ever change.

The Parrot

You, pickle, are the reason the “Turn off Retweets” button was added.  Barring anything of your own to say, you spam everyone else’s feed with a barrage of your friends’ trite banter about how they literally can’t even the latest episode of Sherlock because arghasdgawouhgs, or the latest in profound insight about the nature of creativity from that one D-list celebrity you love but nobody else can stand (see “The Stalker,” above.)  Or you decide that what your followers really need is a ten tweet-long stream of pics from all the weird sexual fetish accounts you enjoy.  Because what you really want in life is a bunch of strangers thinking I didn’t sign up for this s@#$.

The Guru

You’ve got lots of inspiration to share, either of your own creation (awesome, keep it up!) or cribbed hopelessly from the same dozen or so bastardized bromides incorrectly attributed to the Dalai Lama, Gandhi, Nelson Mandela or Martin Luther King we’ve already seen shared on Facebook twelve million times since 2004.  The irony is I don’t think you actually believe you should shoot for the moon because you can miss and still land among the stars.  The Apollo astronauts might have had an issue with that.

The Grammarian

most of ur tweetz read liek this becuz yur 2 kewl fer roolz or speling, so U end up soundeng liek a maroon.  But hoo cares, cuz YOLO!!!

Getting back on the horse

horse

So you’ve gathered it’s been quiet around here lately.  Perhaps the most ubiquitous topic for bloggers, aside from the Buzzfeed-esque “18 Reasons Why Something In Particular Rocks And/Or Sucks,” is the struggle with writing, in its many forms, whether it be the challenges in completing a manuscript and subsequently editing it to near-perfection and getting someone to pay to read it, or simply maintaining the often herculean effort of grinding something out with consistency of quality and schedule.  The problem is the easiest thing in the world to do is not write, and there are innumerable distractions standing between us, the keyboard and the time required to produce.  External factors such as the kid wants me to put together Lego with him, we have nineteen different errands to run, the laundry needs to be folded and put away, so-and-so is coming over, there’s a new episode of The Blacklist.  Internal factors like I had a long day at work, I’m tired.  I don’t feel like it today.  I have nothing to say.  I’m intimidated in living up to what’s come before, or the work of my peers (a frequent fallback for those of us who continue to be convinced despite copious evidence to the contrary that we’re  Just.  Not.  That.  Good.)

My writing teacher Lynda used to tell a story about the Muse.  She reminded us that those who sit and wait for the Muse to arrive are more likely to have Godot show up first.  You have to be willing to force your fingers to strike the keys in even the most random and nonsensical of motions to drag her goldbricking ass off her seashell and plop her down next to your page.  Basically, the best way to get over not being able to write is to write.  Even if what comes out in those initial phases is more suitable for flushing than publishing.  There’s a terrific reason why “getting back on the horse” is such a lasting metaphor for the dogged resumption of effort, as standing next to said mount and staring at it expecting forward movement is the very picture of futility (as expressed in my never-painted Impressionist work, Silly Man Staring At Horse And Scratching His Head At Its Total Lack of Motion).  I used to do show jumping when I was much younger, and as intimidating as some of those jumps might be, they weren’t going to get any less scary by circling them in perpetuity.  You just had to shake the reins, give your horse a kick and go full tilt.  And man, did it ever feel good to clear them, even if on occasion the horse’s rear leg caught the bar and tipped it over.  The occasional fault doesn’t diminish the nobility of the pursuit, nor does the fact that there are other more skilled jumpers out there who clear every obstacle without a single flaw.  It is easy to let oneself be cowed into stasis by the seeming facility others have with their words, the depth of their respective vocabularies and their capacity for assembling the most breathtaking imagery from limitless reserves.  Show me a writer who isn’t insecure to some degree – even Franzen-sized inflated egos have many strategic holes leaking helium.  But the choice is either succumb to that self-imposed pressure and never create anything again, or persist with stubbornness and get better by doing more and trying new things.  Write poetry, song lyrics, short stories, reviews, lengthy op-eds on whatever issue-of-the-day made you stop and think about it for a minute or two.  Eventually you find your wheelhouse, and once you do there’s no stopping.

In The King’s Speech, a movie I absolutely adore, King George V (Michael Gambon) rues the rise of the importance of radio communications in monarchical affairs, claiming that “in the past all a King had to do was look respectable in uniform and not fall off his horse.”   In the modern era, the opportunity to pull a Salinger, to create one lasting work and fade from the collective pages yet retain relevance, is a distant memory.  Our information-driven age is a ravenous monster consuming and digesting information as fast as, and in some cases faster, than it can be produced.  To vanish voluntarily from the zeitgeist for even a few days at a time is to invite the chorus of “I can’t wait for his next” to change its refrain to “Whatever happened to?” and eventually “Who was that again?”  Laurels are not rested upon easily, nor should they be.  Whatever the circumstance, you have to stay on the horse.

So as I climb into the saddle, I look ahead.  What can faithful readers expect?  Well, I’m going to see some pretty big-ticket performers over the next month so there will be reviews.  The recent political tribulations both at home and down south have provided plenty of fodder for some (ill-?) informed opinions.  We may look back at some classics and cast our spotlight on up-and-comers we find worthy of attention.  We may talk about being a dad, approaching 40, dreams of the future and regrets of the past.  The usual staples of dissecting Aaron Sorkin and dissing spam.  Laughter and tears and occasionally pretentious meandering.  But above all, there will be heart.  Always heart.  Because what is the written word really other than the beats of a human heart transformed into elegant strokes of ink?

Hi-yo, Silver.  Away.