I have been, and ever shall be…

Nimoy

Our sky is a little dimmer today with the loss of someone who expanded the meaning of stardom out beyond the final frontier.  Leonard Nimoy, gone at 83, was an actor, director and photographer by vocation but at heart a storyteller and shaper of one of the most impactful fictional characters of our time, who helped remind millions of us feeling like aliens walking an often confusing planet that we were human after all.  And more than that, in an entertainment landscape overrun by buffoons and simpletons elevated by ratings popularity to aspirational figure(air)heads, Nimoy made smart and logical the coolest thing you could hope to be.  With his portrayal of Mr. Spock, Nimoy gave the pursuit and value of intellect a mysterious and, dare-one-say-it, sexy side.  He gave hope to those of us more comfortable with a math book than a bench press.  He showed that brain could be more magnetic than brawn.

When I first watched Star Trek at the age of 10 or so, Spock was the character I was most drawn to.  Sure, Captain Kirk was the swashbuckling hero and Scotty had a cool accent, Dr. McCoy was full of Southern charm and Lieutenant Uhura was simply stunning to behold, but Mr. Spock was, if one will pardon the pun, fascinating.  A teenage kid struggling with hormones and the associated emotional imbalance, particularly in the wake of the passing of his own father, will naturally find himself captivated by this unflappable figure who sets that troublesome turmoil aside and approaches each problem from the standpoint of clear and logical analysis – while never forgetting the all-important human equation, even if he hasn’t quite figured that out yet.  I wanted to learn more about Vulcans and try to emulate their approach to life, even if I didn’t think I would ever become a scientist.  More importantly I wanted to figure out if it was actually possible to neck-pinch someone into unconsciousness – would have helped with bullies back in the bad old days.

Our popular culture contains an infinite assortment of characters whose adventures and traits resonate within our collected consciousness long after they have exited the stage.  With respect to his successor Zachary Quinto, few characters and performers are as inextricably fused as Nimoy and Spock.  Surprisingly, or not, Star Trek creator Gene Roddenberry’s initial description of the USS Enterprise’s Vulcan science officer was the very definition of “broad strokes,” a sketch that could have applied to any generic alien from any cheesy science fiction program of the last century:

…Probably half-Martian, he has a slightly reddish complexion and semi-pointed ears…

As most fans know, NBC was so unimpressed with Spock as he appeared in Star Trek’s first pilot that dumping him was one of their conditions for agreeing to finance a second.  Roddenberry refused, of course, and over the original run of 79 episodes, Nimoy took those pencil marks and began to infuse him with depth, gravitas, and even a dose of Jewish mysticism (the source of the famous split-fingered Vulcan salute), creating a lasting icon.  As the Star Trek canon became ever more robust, Nimoy seemed to get its characters and the reason for its popularity more than the behind-the-camera talent did.  Blossoming into a fine director, he took them helm and helped guide Star Trek on its cinematic journey, and those times where it stumbled were those in which his voice was left unwisely on the sidelines.  It would seem strange to wish to try and do anything with Star Trek without the input of Mr. Spock, but so goes the human arrogance that Spock himself would rightfully disdain.

Like so many of his Trek co-stars, Nimoy the actor wrestled with the issue of typecasting.  In the 1970’s, he suffered through a bout of fan misgivings after the publication of his autobiography I Am Not Spock, proof that even before social media the public was apt to overreact to things not worth getting upset about.  Such was the loyalty to the character he had etched into so many millions of hearts.  (Sure enough, when rumors began circulating during the pre-production of Star Trek II: The Wrath of Khan that Spock was to die, a most illogical wave of threats began bombarding that movie’s producers.)  When he wrote his sequel I Am Spock so many years later, Nimoy reconciled with his alter ego and with the fans who wanted to see him as nothing else, perhaps recognizing that if one is to be known for just one achievement in one’s lifetime, the definitive portrayal of a character who inspires millions of people is not such a bad legacy to leave.

In his twilight years, as he explored his passion for photography and made the occasional TV or film appearance, Nimoy seemed settled into the idea of himself as elder statesman and philosopher.  A few days ago, after he was admitted to hospital, Nimoy’s Twitter account posted several moving messages about life and memory, perhaps from an accepting sense that the days were growing short.  It was, in effect, communicating a final wish to the world that it live long and prosper, as he did.  In the final scene of Star Trek II, the dying Spock’s thoughts and words are not for himself, but for his ship, his captain, and his friend.  “Don’t grieve,” he says.  “It is logical; the needs of the many outweigh the needs of the few.”

In the end, Leonard Nimoy is that rare man who can move on from this life with no task left undone and no ambition left to prove.  It can truly be said of him that he left things better than he found them – we could wish no more for him, or ourselves.  And perhaps as his captain might have put it, “of all the souls I have encountered in my travels, his was the most… human.”

Seven things learned from seven years of marriage

Mickey and Minnie pancakes

A week ago I celebrated my seventh anniversary of life as a married man.  Truthfully, if you’d approached me around the time George W. Bush was accepting his re-nomination for a second term and said that ten years hence I’d be happily settled with a wife and a teenage son, I’d have inquired, pointedly, as to the quality of the copious reams of narcotics you were obviously inhaling.  Yet here we are in 2014 with seven years of the formalized partnership at our backs and by all indications prospects for many decades more – in an age where divorce is increasingly common and societally accepted, tipping from “end of the world, what will the neighbors think” into “no big deal, plenty of fish out there.”

What makes a marriage work?  Hundreds of thousands of square miles of forest have been whacked to print books and articles by experts, both credentialed and self-proclaimed, identifying specific strategies by which every marriage should endeavor to function – in effect, taking the complex, evolving narrative that is the relationship of one human being to another and putting it in the more digestible language of business; boiling it down to key messages primed for PowerPoints and pie charts.  “Do these five things every day and your marriage will always be happy,” and the like.  Rather than rehash the bromides of Cosmo articles past, like “communication is the most important thing” or “make time for intimacy,” instead I’m going to share what I’ve observed these past seven annums, and you, dear reader, may take or leave as you will.  Nor will I dare to suggest that I get these right all the time, or try to hold myself up as exemplar of the ideal husband.  As always, they’re just my thoughts for your consideration, and maybe somewhere amid the flotsam and jetsam of our mutual experiences we’ll locate the truth of things.

1.  There is no such thing as a successful marriage.  Why?  Because “success” implies something you’ve finished.  The goal of a marriage should be like that of the U.S. Constitution:  forming a more perfect union – but – you need to know from moment one that you’ll never actually get to “perfect.”  And why would you want to?  There would be nothing left to do; nothing left to learn from one another, nothing left to share.  You’d be ready to move on to the next one.  Accepting that you’ll never achieve “success” is not an excuse to throw up your hands and stop trying, it’s a reminder to get up each day and keep working on it, keep thinking of ways you could improve your relationship, keep doing the little things that make yours a true partnership.  Marriage is not a destination where once arrived you can kick up your feet, crack open a brewski and watch the game.  It’s more like acquiring the world’s most awesome traveling companion for the road ahead, and she knows all the best places to see along the way.

2.  Write things down.  When you’re first with someone you document everything; souvenirs from every restaurant or movie or concert or stroll along the beach you experience together, chronological photo albums with the story of your courtship captured to the very minute.  The longer you go on, the more settled you become, you find it less necessary to take the camera when you pop out for a drink after work on a warm summer night, and she looks amazing, and you share a belly-aching laugh over something trivial, both little realizing that in a month, that precious slice of life will be lost in the background noise of daily drudgery.  You will come to regret not being able to remember so much of what reminds you how much you love her.  I know exactly where we went for dinner on our first anniversary:  TAO Nightclub in Las Vegas.  I ordered grilled ahi tuna.  But I’m pained to recall what we did for our second, third, fourth.  I know we didn’t sit around doing nothing, but because I didn’t write it down, I have no trigger with which to activate those memories.  There’s a balance to be found before you start needing terabyte-capacity external hard drives to store all your selfies, but even a few spare details jotted in an easily accessible notebook will be enough to activate your recall and let conversation provide the rest.

3.  Always get out of bed first on weekends.  It’s the smallest gesture, but it shows that you respect your partner’s time, are aware of what needs to be done around the marital residence and are taking initiative on getting to it instead of giving in to the temptation to be lazy.  We all love curling up underneath the covers as the sun pours in on a Saturday morning, especially after a long, cold work week, but getting up first is giving the gift of rest to another and proving that you’re taking charge of the day and not expecting to be waited on.  It’s simple math, really – an extra half hour of sleep or a happier spouse for the whole day?

4.  Don’t take the day for granted.  It is far too easy to get lulled into the repetition and sameness that can plague domestic married life.  Get up, go to work, come home, eat a dull dinner, pay bills, clean bathroom, watch a few hours of TV, go to bed.  Repeat ad nauseum.  And yet you should still pull yourself out of the complacency for a few moments each day and remind yourself of the fortune that has favored you with health, stability, security, and an irreplaceable partner.  Because on the morrow something may happen that will upend everything and you’ll find yourself longing for the predictability of routine.  Even a boring day is a day that you are alive and safe and free to choose.  And it’s one more day spent in the company of the greatest person you’ve ever met.  Not bad at all, really.

5.  You don’t have to have the same taste.  When my wife and I are having trouble figuring out a movie to watch, I find myself envying those couples who have found each other through a shared love of geek culture, particular sports franchises, Mesopotamian basket weaving, what have you.  There are times, in fact, when it seems like we have very little, if anything, in terms of common interests.  But in many ways it’s been a blessing, as it’s given us the chance to discover the other’s passions, and find commonality we might not otherwise have noticed had we just stuck with the same interests we brought to the relationship.  I spoke a bit back in my A-to-Z series about how meeting my wife deepened a love of jazz and the Great American Songbook – would I have had this were she just a Beatles and U2 fan like myself?  Though on much of the cultural zeitgeist we still do not agree (after nine years together she remains unconvinced of the merits of the Lord of the Rings franchise and spectacularly indifferent toward James Bond) our connection remains solid and strong.  Common interests answer the question of what to do on a Saturday night, but they’ll never be the foundation of a lifelong relationship.  A genuine caring and admiration for each other is what’s needed.

6.  Spontaneous musical numbers are always in fashion.  We aren’t the first to joke that the world would be a much happier place if people on the street and in the malls would break out in impromptu singing and dancing more often.  Short of the arrival of that demon from that Buffy the Vampire Slayer episode a few years back, I’m afraid it’s left to us to bring the Sondheim, and most folks would rather guest lecture on macroeconomic theory at Yale in their birthday suits instead.  It’s truly a shame that this potent arrow in the human mirthmaking quiver doesn’t get strung and loosed more often, as few moments of melancholy can’t be improved by even an off-key rendition of the perfect chorus.  Whether it’s in the proscenium of the kitchen as the pasta boils or the grander scale of the shadow of the Eiffel Tower, pull your sweetie in for a rumba or a cha-cha whenever you get the chance.  And if you can throw in a few half-recalled verses of a Tony-award winner or even Weird Al’s latest – onwards, musical soldier.

7.  Never underestimate your spouse’s ability to surprise you.  As I mentioned earlier, routine and complacency are two of the greatest adversaries of marriage, inasmuch as they dampen the spark that is needed to maintain a human being’s interest in anything over a long period of time.  But if you’re with the right person, those nemeses won’t even get to step onto the field.  There have been many moments when I’ve found my spirit beaten down by the unfairness of things, by reversals of fortune and bleak prospects for progressive change (both in my own life and in the world at large), and my wife will go and do something utterly unexpected, reminding me of the innate wonder and capacity for good that lies at the heart of humanity.  It doesn’t even have to be anything particularly grandiose – it can be as little as a smile found amidst heartbreak.  There is one moment in particular that I will share.  One cold January night I found myself, after a brutal phone call, jobless, rudderless and not sure how to get through the next hour, let alone commence the next phase of my life.  My wife offered some words of comfort, but I wasn’t in the mood to have it, brushing her aside with a half-hearted “yeah.”  I stepped outside for a few minutes to take the trash to the curb.  When I turned back to our front door, she was standing in our foyer looking out at me.

Dressed as Minnie Mouse.

She was wearing the ears with the red and white bow, waving with the oversized white gloves and doing a better than average impression of Minnie’s giggle.  I don’t know how she’d managed to gather those up and don them so quickly, but in an instant the storm within me broke, I laughed, and I knew that things would be okay, because she was with me.  It’s a gift I’ve never forgotten; a memory that I can dig out of the box and hold whenever I need it.  And tomorrow she’ll come up with something even more spectacular.  It’s who she is.  An inexhaustible reservoir of strength, kindness and generosity, with a heart as big as the moon, a singing voice to shatter the stoniest facade, and a positively contagious laugh that makes the corners of my mouth inch up even to think about it in passing.

There you have it, for whatever it’s worth.  Nothing earth-shattering or life-changing, just a few simple truths that help me find my way on the long road.  Above all else, seven years of marriage have taught me to be excited about what I’ll learn over the next seventy years, and to be grateful for the journey I chose to take and for the amazing woman who agreed to come with me.

Keeping the faith

jamaicasky

There is a melancholy to the world right now.  I’ve been sensing it for some time, but it crystallized this morning when I was driving my son to camp and we had the radio on.  BBC News was informing us in mellifluous London tones about the sum total of horror and death experienced on planet Earth in the last 24 hours.  The boy was nervous about his first day and a story about three people burned alive in their house wasn’t helping matters.  I switched to the classical station and made some comment about how, “you know, about 95-96% of all people everywhere are basically good, decent people going about their lives; dropping off their kids, going to work, coming home at the end of the day and eating dinner with their family.  It’s not ‘newsworthy,’ but it’s important to remember that when you hear the bad stories.”  He nodded and continued staring out the window in silence at the rain streaking past the glass.  When we arrived at the camp, he perked up in the presence of other kids and jubilant counselors eager to get started on what promised to be an exciting week.  The downpour outside would not dampen those moods.   I was envious, but I had to leave; work awaited.

Humanity, ever the walking contradiction, is remarkable for the limitless reach of its imagination and its capability to accomplish jaw-dropping feats given enough drive and cooperation, tempered by an equal and sometimes overpowering capacity to shoot itself in the foot.  Every time we think we’re finally on the right road, someone veers us back into the weeds and we take another couple of decades to dig ourselves out.  Lately it seems that the foot-shooting faction has the loudest microphones (and the biggest guns, for that matter) and one is given to muse whether all those popular dystopian novels are merely prophetic.  What do you do to get through the day and hope you’re never faced with the choice of whether you want to be Abnegation, Erudite or Dauntless, or with your kid representing your district in a fight to the death against other kids and holographic monsters?

Some trust in the unseen hand of a deity.  But that is a path I strayed off a long time ago.

A child is not born believing anything (one could argue it is our most spiritually pure state, but one would prefer to save that lengthy discussion for another time); its exposure to religion comes entirely through the actions of its parents and family, whether enforced strictly – regular memorization and expected flawless recitation of critical verses under threat of withdrawal of dessert – or the more lackadaisical approach my clan used:  remember to say grace at dinner and be sure your plaid clip-on tie is pressed for this Sunday’s service.  (I did grow up in the late 70’s/early 80’s, after all.)  I was, in point of fact, the rare sort who hated decamping to Sunday school mid-sermon to make paper cut-outs of Noah’s Ark when I preferred to stay to listen to what the pastor had to say, and looked forward to the day I could be exempt from the childish frivolities.  I think it was more that I enjoyed the idea of not being confined to the kids’ table anymore.  But I didn’t take any of what was being said to heart.  At the risk of sounding like one of these literary rejection letters, the material simply wasn’t a good fit for me.  Being smacked with a series of tough losses as I encroached upon and waded through my teenage years, increasingly inured me against what was being offered from the altar.

To make a potentially lengthy digression rather short, I have always had to find a different source of faith, a different path to spiritual realization.  I’ve always felt a bit like a human Play-Doh set, you know the one where you shove a misshapen clump in the hole in the top, press on it with a plunger to push it through a mold, and out comes a star-shape or a crescent moon or what-have-you.  I take in whatever’s available, run it through the dusty old processor upstairs and spit out some semblance of conclusion, and ninety-nine times out of a hundred it’s some variation of crap.  It’s an answer, but not THE answer.  It never adds up to 42.

Sometimes I wonder if there’s simply too much raw material being crammed into the Play-Doh hole (that sounds a lot filthier than it’s meant to).  My wife and I were talking about this on the weekend – actually she did most of the talking since I’m a decent writer but a piss-poor conversationalist – about the value of simplifying and unplugging.  FOMO makes you clench up at the first sounds of that, but then again, what is it that we’re fearing missing out on?  Clickbait articles about celebrity breakups?  Trending hashtags, affirmation-seeking selfies and endless navel-gazing ramblings about the nature of the universe?  Um…

Anyway, the point, one supposes, is that letting yourself get overwhelmed by the noise means not appreciating the value of what is right there in front of you.  One of the hardest things about success is accepting that it’s not what you think it is.  Jealous hackles raised at somebody else’s million-dollar book deal obstruct the pride you should feel upon being presented with the crude pencil drawing your son just did for you.  Slumped shoulders at the unaffordable month-long island getaway enjoyed by your more affluent acquaintances rob you of the serenity found in the chirping of the birds in your backyard.  Ironically, moaning that everyone other than you is getting everything they’ve ever wanted in life is ignoring that some of those people are thinking the very same thing about you.  More doesn’t mean better.  Mo’ money mo’ problems, as a noted poet famously once said.  What difference do all those externalities make once you’re done strutting and fretting your hour upon the stage?

The secret behind successful marketing is making you, the potential customer, feel terrible at what you don’t have.  And we are all doing it to ourselves.  Inadequacy is an emotion entirely self-imposed, and like interest, it compounds.  Like a particularly insidious virus it begins to infect your worldview.  You gravitate toward the morose; confirmation bias leads you to seek out only those stories that reaffirm this concept that the world is an irredeemably terrible place.  Consequentially, your personality starts to change.  Laughter certainly, but even smiles begin to grow rare, and what once moved you now leaves you stone and still.  Something is missing, you feel, and you rush to fill the void with more stuff instead of stepping back, taking a breath and saying whoa, things being as they are, I actually have it pretty darn good.  Till the day your friends and family question what ever happened to the vibrant sort you used to be – and you don’t have an answer for them.  You kind of stand there, struck dumb, fumbling for a rationale that remains elusive.  You can’t trace events from point A to point Z, you know only that it happened, and a lot of irreplaceable time was spent on a pointless journey into the ditch.  You loaded the bullet, cocked the pistol, and fired into your foot over and over again, and now you can’t explain why it’s bleeding.

Where the idea of keeping faith enters the frame is learning, upon crawling up from that ditch, to find the value of holding faith in the faces and hearts of those who are closest to you.  Because getting out of bed every day is itself an act of faith; a choice to take what comes at you instead of hiding under the covers.  You wouldn’t do it at all if you didn’t know, innately, beneath the layers of insecurity and/or bravado, that you have got this.  So do those 95-96% of people in the world who spend their days beneath the radar of the news, doing good, pushing humanity forward against the tide that seeks to roll us back into the sea of ignorance and stupidity.  We will never hear about most of them – but we can keep faith that they are there, just as we can keep faith in the friends and family whose paths cross ours.  And thank whatever god or goddess you believe in – or thank nothing at all, if that’s your preference – that they are.  And learn to smile about it.

Maybe it’s not THE answer, maybe it’s not even the answer you wanted.  For the moment, it answers enough.  When I pick my son up later today, when he bounces into the car whooping and hollering about the amazing time he had, today’s act of faith will have been rewarded.  I knew that he’d have a good time.  Beneath his nerves, so did he.  The storm shall indeed pass, the clouds will open, and the light will shine through.  We will go on.

Have faith.

People, Not Property

Untitled

Something horrible happened a little while ago in a place with the deceptively idyllic-sounding name of Isla Vista.  In the aftermath and the weeks since we’ve tried to process it, to assign a specific and preventable cause to the motivations of the perpetrator in the hopes to avert a similar future occurrence, and solutions vary, predictably, according to the broad swath of the ideological spectrum.  If we are each to weigh in, as the current state of our discourse seems to demand, what can I say that’s different?  What can I contribute to actually make things better, instead of just bouncing around the echo chamber – scoring accolades from admirers and suffering barbs (or worse) from the other side – before the storm dies down and we return to talking about box office grosses?  It seems that at times we’ve become a civilization whose talents are geared largely towards commenting rather than fostering true progress, and I struggle with this in the composition of this entry.  Truly, my words won’t bring the victims back.  They are but shouting into the wind and the rain for the briefest of moments.  But I’m going to shout anyway.

Reading the tweets shared under the #YesAllWomen hashtag was heartbreaking, and sobering.  The shiny, bauble-bedecked veneer of First World existence blinds one to the deeply ugly undercurrents of our nature, the river of misogyny that touches each aspect of interaction between the genders.  This idea that men have been sold – yes, sold, because so much of what is wrong with how we behave can be traced back to the concept of one person convincing another to buy something they don’t need – that women are a commodity men have a divine right to possess, instead of independent human spirits meriting respect and the freedom to determine their own futures, is stomach-churning when laid bare, but laced so insidiously into our culture that we are happily swallowing the lie several times a day without even realizing it.  The woman is always positioned as a prize at the end of the quest, something to win.  Any time a man is tasked with self-improvement, be it in the form of career, health, spiritual fulfillment or putting on a superhero costume and going out to fight crime, the implicit reward is getting laid, and any other end is mere frivolity.  It’s all meaningless, the zeitgeist conspires to tell him, unless you’ve got that “perfect ten” hanging off your arm at the gala premiere.  Elliot Rodger certainly thought so, and his self-perceived inability to live up to this ridiculous standard led him to lash out and take six innocent lives with him.

It’s deplorable that as a result, women should be forced to be ever vigilant, but as the #YesAllWomen tweets prove, it’s an attitude born of a shared experience, and one to which men cannot really relate.  In this metaphor, men are the customers, not the goods, and we can’t understand what it’s like to be thought of as property to be acquired until we are ourselves put up for sale.  When I’m out for my morning run, and I see a woman further up the sidewalk on her morning run heading towards me, my first thought is not going to be, this is a potential assailant, maybe I should cross the street.  It’s never been suggested that I should tone down how I dress or do my hair differently lest I not be taken seriously by my work colleagues, or receive unwanted advances from strangers.  I’ve never had someone try to grope at my crotch on a crowded streetcar, I’ve never been screamed at because I refused to give a woman my phone number, and I’ve never had to worry about leaving my drink alone at the bar lest someone slip roofies into it and I wake up bleeding on a filthy bathroom floor.  And these are just a very small sampling of some of the stories that were shared online.  There are thousands more, and to our shame, an equal number of sarcastic, sneering responses fired back.  As was pointed out elsewhere, these types were seemingly angrier that the stream of stories was gumming up their precious home feeds than at the fact that these things were actually happening to women everywhere.  When you can’t refute the argument with logic or reason, just tell the woman to shut up, and go back to watching the game.

Words may sometimes be lost on the wind in the storm, but often they’re the only thing we have.  In and of itself, a hashtag isn’t going to change the world, but the camaraderie those shared stories can engender – pun intended – is a step toward creating the empathy we need to help make the storm stop.  To help fathers teach their sons that women are not property to be coveted and acquired like the mindless deluge of merchandise that flashes across our Internet browsers, assuring us that the void in our souls can be filled with the simplicity of a single click and a valid credit card number.  Respecting women unconditionally; judging them by their principles, their accomplishments and the many facets of their personalities, instead of how they look in a bikini and how willing they are to jump into bed with you; casting forever aside the juvenile notion that a woman owes you a single thing by mere virtue of your passing interest in her; recognizing that fundamentally, misogyny comes from a place of deep dissatisfaction with the shortcomings of oneself as a man, and that those shortcomings can only ever be remedied by one person – the man in question – that is how things begin to improve.

None of us are property.  None of us are each other’s property.  And the human soul is not something to be traded on the free market; its value is far greater than that.

Taming the Rage Monster

hulk

The Troggs had it wrong:  love is not all around, rage is.  At least that’s what it seems when dialing into any form of media of late.  We’re a perpetual powder keg, frothing at our keyboards to spew a storm of digitized incendiary rhetoric into the nearest available outlet given the merest hint of provocation.  It’s about as ludicrous as that old Simpsons gag where a guy taps another on the shoulder and says “Hey you, let’s fight,” and the other replies “Them’s fightin’ words” and takes a swing at him.  We seem to be spoiling for it in our interactions, seeking out opinions (or venturing them) designed to raise blood pressures and elicit profanities and threats of bodily harm.  And yet it’s not as though you’re seeing fistfights break out in shopping malls on a regular basis, or a global “Red Hour” – if you remember the Star Trek episode “The Return of the Archons” – where the collective agrees on a time and place where they may just as collectively lose their shit.  Day-to-day society proceeds apace, unencumbered by the simmering monster apparently lurking under everyone’s skin ready to Hulk out at the slightest shift in the breeze.

Why are we so angry all the time?  One of the most intriguing arguments is that popular culture, the glamorization of “fame” and the gradual dumbing-down of the education system are to blame for creating a perpetual sense of false expectations amidst the great majority of the world’s population who are fated to live quiet and largely unrecognized lives (not that there’s anything wrong with that).  Our concepts of “success” and “failure” have been altered to a state where they barely resemble the truth of what they once were.  We’ve seen failure removed almost entirely from schools lest the fragile feelings of the precious snowflakes inside be hurt.  (As a parent, I don’t mind when my kid flunks a test, because I’d rather he learn that he needs to try much harder to pass rather than know that no matter how little effort he puts in, he’ll always get by.)  Consequently you have a generation of children believing for the first eighteen years of their lives that they are perfect and infallible, and when adulthood arrives and they don’t ace that first job interview, or they come up against any task that is beyond them, they implode, as reliably as a calculator attempting to divide by zero.  Failure does not compute.

Success, on the other hand, is defined again and again, in a manner resembling brainwashing, in terms frankly unachievable by 99.9999999% percent of the population:  seven-figure salaries, a constant stream of supermodel companions, jetting to the Riviera for the weekend to win the Formula One while top-lining the latest blockbuster action movie.  You are invited constantly to compare the dregs of your life with the riches and wonders of the lucky few and find yourself forever wanting, while being indoctrinated with the lie that the only thing you need is belief in your dreams (that doesn’t hurt, but it is most definitely NOT the only ingredient).  How many people were in that record-retweeted Oscar selfie, versus how many millions more were only wishing that they could have been standing to Bradley Cooper’s right?  Is it realistic to think that we can all be movie stars and sports heroes and retire to Malibu mansions overlooking the sea?  Yet ask any kid what they want to be when they grow up and the number one answer is “famous.”  The purveyors of celebrity gossip have become rich themselves convincing the rest of us that we’re just a happenstance discovery away from the big time.  We don’t actually have to do anything to merit it; we’re owed it.

Yet that golden ticket is not going to arrive, and millions grow increasingly impatient for it.  And to paraphrase Yoda, impatience turns to anger, anger turns to hate.

Once again, the boys seem to be the greater offenders here.  Given that we are prone to insecurity as it is and the media’s far-fetched depiction of what constitutes “manhood,” it is unsurprising to see that fireball into unrestrained fury.  I was made aware of a hashtag that circulated Twitter a few days ago, that blissfully I missed out on, #LiesToldByFemales.  Basically, a venue for a cabal of misogynists (who would not dare say any of these things to a real-life woman, naturally) to whine about the endless ways women had done them wrong, either in actual fact or perception (I chance to assume the latter).  It hearkens back to the redefinition of a successful relationship for a man by countless movies, music videos and men’s magazine articles as:  scoring a smokin’ hot chick who will do whatever he wants and subsume her will and personality to his desires, only as long as he deigns to keep her around.  A prurient fantasy, which of course does not exist in the real world, but doesn’t stop men from wanting it anyway.  They’re entitled to it, the magazines have told them, and the movies have shown, in any number of stories where the beautiful goddess eventually succumbs to the persistent charms of the unwashed, inadequate nerd.  Fade to credits before the inevitable consequences of such an ill-gotten romance take hold.  But no matter, the lie has been pre-packaged and sold, and the men who fail to replicate it in their own lives have a perfect justification to assist in brewing their lifelong resentment of reality.  The perceived “safety” of anonymous online posting of same then entitles them to let it out, so the like-minded can holler “Right on!” and retweet and feel vindicated for harboring the same sentiments.  Regardless of how much damage it may do – and how little in fact their lives will change for the better.

That’s the saddest part of this.  Where is all the rage getting us?  You have a tremendous irony in that profound dissatisfaction with the status quo has fired some of the most expansive changes in our history, and yet, 21st Century rage is an end unto itself.  We are furious, yet benumbed.  We’re not starting riots in malls.  It is enough now to be angry for the sake of being angry, to make a few heated comments on a message board, and go back to the drudgery of the day.  We’re addicted to indignation, seeking it out like junkies who can’t abide the space between the highs.  The result?  A climate where everyone is on edge at every moment of the day, a perpetual chill where many are afraid to speak up because it’s like lighting a match to see how much gas is left in the tank.  Reading highlights from the CPAC conference (for the enviably uninitiated, it’s an annual gripe-fest for conservative politicians and celebrities to blame the world’s woes on liberals and their Kenyan Islamofascisocialist president) I can’t help but be reminded of Woody Allen’s character in the 1967 Casino Royale, whose master plan was to detonate a bomb that would render all women beautiful while simultaneously killing all men over four-foot-eleven.  I don’t know what pipe dream of a regulation-free, rootin’-gun-totin’ right-wing utopia where anyone with less than a billion bucks in the bank is deported to Mexico drives these folks, but they seem awfully pissed off that they don’t have it, and that they’re getting no closer to it no matter how many veins they burst in their forehead while they rail about Benghazi at the podium.  Sponsors are raking in advertising revenue from the anger that Fox News foments, but those in whom it is fomented are no further ahead.  In fact, the stress they’re accumulating is shortening the remaining days they have to get angry in.

So much misdirected energy out there.  Just imagine what we could do with it if we could find a way to direct it somewhere else.

As always, dear reader, the fault lies not in our stars, but in ourselves.  So we need to take a page from the Serenity Prayer – accept the things we cannot change.  We need to let go of this idea that we have a divine right to sit at Brangelina’s table, and that Gisele Bündchen only stays married to Tom Brady because she hasn’t met us yet.  We need to cement in our minds the idea that a relationship with a real person is infinitely more rewarding than empty fantasies about surgically-sculpted, spray-tanned hot bods.  We need to stop thinking that we deserve jobs, fortunes or even people that we haven’t gone out and earned.  We need to remember Captain Picard’s one-time advice to Data:  “It is possible to make no mistakes and still lose.  That is not a failing; that is life.”  So yes, we need to accept that by virtue of birth, talent or plain old dumb luck there will always be those individuals who have things better than we do, and that choosing to resent them for having it is truly like that old saw about drinking poison (or ingesting gamma radiation) and expecting the other person to die.  They won’t, no matter how many times we swear on Twitter about it.

What if we tried living life to our own standards instead of what is foisted on us by marketing reps who are trying to sell us things?  If we were able to take the energy misspent on rage and resentment, pull it out of those bottomless pits and refocus it like a laser in furtherance of working on ourselves and our lives, we’d find the reasons for those feelings diminished.  We wouldn’t envy Tom Brady because we’d know what an incredible partner we have standing right next to us and holding our hand at each step.  We would not need to be on movie screens entertaining anonymous masses because the people we know, closest to us, would never question how much we value them.  We would find ourselves replenished with accomplishment and joy – the kind of deep inner assurance that cannot be bestowed by thousands of screaming fans.  Let’s not forget the cautionary tales of those who seemingly “have it all” yet drown and lose themselves in drink and drugs because standing ovations can’t fix pain.  No matter where you go, there are you are.  Instead, change how you feel about yourself and realize you could have a pretty amazing life if you just started living the one you have and not the imagined one that everything you read and see is telling you that you deserve.

Endless rage will never get us what we really want in life – namely, to stop feeling so angry.  It is the very definition of self-defeat.  So no, Hulk no need to smash.  Hulk need to calm down, be nicer to wife and kid, plant tree and take up productive hobby.  Hulk might find he happier and other stuff not bother him so much.  And everyone get along better.

Long live the Queen

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Amy Good kicks off today’s musings with her thoughtful post about the challenge in writing supernaturally empowered characters.  While it’s important reading for anyone crafting a story that includes such elements (guilty), it got me thinking again about Frozen and what a pivotal moment for the cinematic portrayal of women the character of Queen Elsa actually is.  You’ll forgive the inklings of hyperbole creeping into that statement, but I don’t think I’m alone in feeling this way.  (For additional insightful reading on Frozen and its depiction of women, be sure to check out Emmie Mears’ take at Searching For SuperwomenDebbie Vega’s at Moon in Gemini and Liz Hawksworth’s at The Stretch for Something Beautiful.)  I touched on this briefly in my original take on the movie, written the evening after I saw it, but as the movie has sloshed around my subconscious for the last several weeks, and I’ve listened to “Let It Go” more times than should be healthy, I’ve realized that there’s a lot more here worth exploring in greater detail, and some of these other great posts have crystallized – pardon the obvious pun – my thinking on the subject.

To delve more deeply into this character, we have to go back to her long-simmering genesis.  Hans Christian Andersen’s The Snow Queen has been around since 1845, and Walt Disney himself had long wanted to give the classic tale the animated treatment.  The stumbling block was always the title character, how to create a compelling version of her that would give modern audiences something to sink their teeth into, and several attempts fell by the wayside and were abandoned.  Even as the movie finally got underway in the latter half of the 2000’s, the story team still couldn’t crack the Queen.  The first stroke of inspiration involved making her the sister of the protagonist, Anna.  The second, and indeed the masterstroke, was in stripping Elsa of her villainy.  If you look at some of the original character concepts (just Google it, there are too many hyperlinks in this post already), Elsa was going to be your tired and typical wicked witch, with Anna presumably forced to fight and ruefully defeat her.  And then, so the legend has it, the songwriting team of Robert Lopez and Kristen Anderson-Lopez brought a draft of Elsa’s anthem “Let It Go” to the producers – planned originally as a “look how eeeeevil I am” strut in the vein of similar ditties belted out by Disney villains past.  Of course, that’s not what the Lopezes delivered.  “Let It Go” is a triumphant refrain of self-realization, not something you’d hear from the lips of Ursula, Gaston, Jafar, Scar or any of the Disney baddies that had come before.  Surely, then, Elsa could remain a good person, grappling with her own fears of who she’s become, and figuring out a way to integrate all the parts of her soul into a complete and confident being.  And to give that arc to a woman with magical powers is a blast of fresh Arctic air.  Full marks to screenwriter/co-director Jennifer Lee.

The wicked witch is one of the most regrettable archetypes in literature, because it originates from a fundamental place of (male) discomfort with the idea of powerful women.  We dudes have to face it and deal – women are always going to have powers that we don’t.  They can bear children, i.e. create life; short of bad Arnold Schwarzenegger comedies we’re forever out of luck on that one.  To be completely candid and even a little NC-17, women can arouse us physically in a way we can’t really reciprocate.  And even more to the point, we will never figure them out, no matter how long we spend in their company, how many writings of theirs we read, how many times we beat our heads against the wall when they do something completely unexpected and seemingly out of character.  They’re piercingly right with that old refrain – we just don’t understand.  We won’t.  And everyone knows what the typical human reaction is to something we don’t understand.

I recall reading once that the biggest driver of the persecution of witches in medieval Europe was that era’s version of the American Medical Association, that is, the assorted doctors of the time who were peeved that women were doing better at healing the sick with herbs and other natural lore than they were with the presumably university-endorsed “leech and bleed” treatment.  Invoking a mistranslated Bible verse and calling every second woman a witch was, to them, simply an effective way of eliminating the competition in the medical field.  To say nothing of how many other men probably hurled the charge when an innocent woman failed to return their romantic advances.  The witch became a catchall for everything men didn’t like about the opposite gender, and slithered her way into the darkest pages of the fairy tales that endure to this day.  Always out to cause mischief and throw up barriers to true love and occasionally eat a child or two.

To be fair, Disney’s earliest animated efforts did little to dispel this archetype.  Snow White had the Evil Queen, Sleeping Beauty had Maleficent, both characters of tremendous power, beauty and irredeemable evil (noteworthy that Maleficent’s name comes from the Latin maleficium, which means “wrongdoing.”)  We also had the Wicked Witch from The Wizard of Oz, and a long, verging on infinite line of fantasy films both sumptuous and cheap featuring scantily-clad and/or hideous magical ladies waylaying our heroes with a combination of spells and wiles and cackling laughter, leading up to Tilda Swinton’s White Witch in the Narnia series, Charlize Theron’s Queen Ravenna in Snow White and the Huntsman, and Mila Kunis’ Theodora and Rachel Weisz’s Evanora in Oz: The Great and Powerful.  Such an easy path to tread for screenwriters half-assing their way through a script assignment.  What is the usual fate of these legions of empowered women?  Death.  Depowering and humiliation from time to time, but usually death.  It’s what they get for stepping outside the natural order, for interfering with the cause of love and freedom, baby.  When it’s at the hands of a man with a sword, the metaphor becomes even more painfully obvious.  Man conquering the unremitting darkness that is woman with his you-know-what.  Cue the Viagra ads.

In Frozen, Elsa’s cryokinetic powers are vast, verging on goddess-level.  We’re not just talking a blast of ice cubes here and there.  She blankets an entire kingdom in an eternal winter.  In the “Let It Go” sequence, she builds a stunning palace of ice with a few waves of her hand and stamps of her feet.  She can defend herself easily against a squad of armed men, and most importantly, she can create life.  With a mere flicker of her magic she conjures Olaf the snowman, an autonomous being with his own unique personality, and also her hulking hench-monster Marshmallow (who, if you stayed till the end of the credits, proves he has a softer side as well.)  To my recollection, the last time a female character as powerful as Elsa appeared on screen was 2006’s X-Men: The Last Stand.  Like Elsa, Jean Grey in that movie was a woman born with incredible abilities she couldn’t control, and also like Elsa, attempted to live within constraints placed upon her by men, until her powers eventually exploded and injured those she cared most about.  Of course, how did that all work out?  Predictably, Jean turned evil, disintegrated a bunch of people, and had to be put out of her misery by a man with metal claws (more below-the-belt symbolism), after she begged him to kill her.  Impaled through the cold, dark heart just like the wicked witch deserves.

Frozen does not end with Elsa being saved or murdered by a man, or losing her powers.  It ends, ironically, with Elsa becoming even more powerful – gaining strength from her sister’s love and learning to thaw what she has frozen.  Achieving a balance and serenity within herself.  One of the most delightful little moments from the end of the movie is watching Elsa create a skating rink for her subjects and them having fun with it, because it signifies that she hasn’t had to sacrifice what makes her special to find acceptance from the outside world.  In her review, Debbie mentioned that some critics of the movie have suggested that Elsa should have had a love interest.  I can’t think of anything that would have so wrecked the essential message.  A woman’s journey to realizing her power is one she has to take on her own, without some barrel-chested dingus patting her hand and telling her “there, there.”  Ultimately, Anna’s sacrifice was about showing Elsa she needed to love herself, and that she could, because her sister would always have her back.  I can’t see that having worked as well or resonated as deeply if Anna was Andy.

What is Frozen telling us menfolk, then?  That a powerful woman isn’t someone we should fear, or try to cage.  That she isn’t someone we need to conquer or subdue in any way.  That we do best to help her figure out who she is and the extent of what she can do by staying the @#$@ out of her way.  And that the greatest thing we can do when she uses that power is cheer.

Save the father, save the world

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“Winds in the east, mist coming in, like something is brewin’, about to begin… Can’t put me finger on what lies in store, but I fear what’s to happen, all happened before.”

First uttered on screen by Dick Van Dyke in 1964, those words are whispered again by the unlikely voice of Colin Farrell as Saving Mr. Banks begins, over vistas of turn-of-the-last-century Australia and the dream-lost face of the young Helen Goff, who will grow up to become author P.L. Travers and the creator of Mary Poppins.  In short order we leap forward from the idyll to early 1960’s England, where the adult Travers (Emma Thompson) remains, after 20 years of attempts by Walt Disney (Tom Hanks) to purchase the film rights from her, stubborn in her determination to avoid having her beloved creation bowdlerized by uncouth Americans who don’t seem to understand what the story is about, or, more importantly, what it means to her.  Drawn in for the moment by the allure of some much-needed funds, Travers agrees to fly to Los Angeles to work with the creative team on the screenplay for Mary Poppins – “work with” meaning shoot down almost every single idea – while resisting Disney’s personal charm offensive.   The unstoppable force meets the immovable object, and as the movie proceeds along two time-separated narratives, we see the girl trying to save her treasured father from his deterioration, and the woman fighting to preserve his memory from people she thinks are only interested in exploiting it for the sake of a mediocre cartoon.

Much like the movie whose conception it depicts, there are no villains in Saving Mr. Banks; only goodhearted people attempting to do the right thing, whether it is Farrell as Travers’ father reacting to every setback with a twinkle in his eye and spring in his step, or the increasingly exasperated but always smiling screenwriter Don DaGradi (Bradley Whitford) and composers Robert and Richard Sherman (B.J. Novak and Jason Schwartzman) struggling to meet the impossible conditions put forth by the uncooperative Travers during interminable meetings.  Particularly touching is the relationship that develops between Travers and her sunny limo driver Ralph (Paul Giamatti); while first treating him as an ill-informed Yankee, she comes to see him as a true friend, and is inspired to pass along to Ralph’s physically challenged daughter the proof that disabilities are not the same thing as limitations.  But misunderstandings abound, naturally, and this is probably the first screenplay in the history of Hollywood where the crisis point at the end of the second act involves whether or not penguins are to be animated.  (As an aside, it’s also the first screenplay to my knowledge where a character utters my last name:  checking into her room at the Beverly Hills Hotel only to find it’s been filled with Disney stuffed animals as welcome gifts, Travers shoves aside a Winnie the Pooh and grumbles “Ugh, A.A. Milne.”  I – what’s the expression – fangirl squeed?)

I’m a sucker for movies about Hollywood, particularly old Hollywood, and the attention to detail in recreating the feel of the Disney production offices (and Disneyland itself) of the early 60’s is impeccable.  The performances, especially Thompson’s, are elegant, the cinematography is lush, and the score is full of life and hope.  Magic exudes from each frame.  But despite the central conflict between Travers’ obstinacy and Disney’s persistence that is the focus of the trailers, the movie is about fathers, and the complex relationships we continue to have with them long after they are gone.  That is where Saving Mr. Banks packs its most powerful emotional punch.  Like Hamlet, the ghost of the father looms in every scene – Travers Goff, the man who helped the young “Ginty” unlock her imagination and set her on the path to becoming a storyteller, honored posthumously in her choice of surname for her writing career.  Befuddled by the author’s seemingly irrelevant demands on the script, articulated by frustrated Bob Sherman who pointedly queries, “What does it matter?”, Walt Disney initially misses the mark, thinking that Mary Poppins comes to save the children.  We have the benefit of hindsight, having watched, dozens of times, David Tomlinson as George Banks evolve from curmudgeonly drone to a man full of life and wonder and joy.  The children don’t even say goodbye to Mary Poppins when she leaves, but they don’t have to, as her spirit has found a new home in their own dear father.  Late in Saving Mr. Banks, Disney relates to Travers a tale of his own upbringing in wintry Missouri and of his difficult relationship with his hard-driving father Elias, and the two creative forces finally find their connection – a shared desire to redeem the old man.

Being someone’s child is taking on the responsibility of their legacy, willing or not.  In the movie, Ginty cannot understand why her beloved father is falling apart before her eyes, and she struggles to help him preserve his happiness and his dignity, even where her efforts are unintentionally harmful.  In creating the character of George Banks, P.L. Travers wanted (the movie posits, at least) to give her father the happy ending he could never find for himself.  When she sees him depicted on screen, and when she experiences the joy of the audience in watching him triumph, she weeps.  My father died when I was 11, and I’d be lying if I didn’t admit that a significant portion of why I do what I do is trying to ensure that his name is regarded in perpetuity as highly as I think it should be – the same name (though different family) P.L. Travers mouths onscreen.  He was the person I experienced stories with.  Reading to me, and with me, taking me to the movies, kindling a lifelong love of narrative and of imagination and promise lying within pages and celluloid.  He used to let me borrow his handheld dictaphone so I could record my own imaginary episodes of The A-Team (don’t ask).  He’d let me fill LP-sized floppy disks from his office computer full of chapters of an unfinished attempted novel about a boy and his racehorse.   And though he died long before I ever began to take writing seriously, every time I sit down at the keyboard I’m hoping that it will turn out to be something he would have liked, that he would have boasted to his friends and colleagues about.  (Knowing him, he’d boast about it even if it was an illiterate pile of tripe.)  And perhaps, beneath the veil of different characters in settings far removed from that available to a small-town attorney, I’m trying to give him his happy ending too.  In the theater, I felt in my soul that primal need of Travers to do right by her dad.  To save him.  And a tear escaped my eye as it did hers.

For too short a time, they’re our whole world.  Eventually, our chances to talk with them are gone, to ask them questions that never would have occurred to us while they were alive, questions we thought we’d have time for someday.  When we were sharing a beer after staining the back deck together on a hot Sunday afternoon.  When we were tossing the football back and forth between three generations upon park grass touched with the first autumn frost.  Those scenarios aren’t possible now, so we try to replicate them in fiction.  We forge characters who ask the questions we can’t, and let them seek their answers, secure as we type that they will reach their destination and achieve the closure that eludes us.  When the stake is so personal, we comprehend why P.L. Travers did not want to give Mary Poppins up.  Mary wasn’t a character, she was a mission.  So was Mickey Mouse for Walt Disney.  It’s not easy to abdicate such a soulful responsibility, to hand over a legacy.  I wouldn’t be the first to volunteer for that, would you?  However, there may come a time when I’m willing to let go, to share the father I knew with a world that deserves to know him the way I did.  I can only hope that it’s in a manner as befitting as Mary Poppins, or Saving Mr. Banks.

“Winds in the east, mist coming in, like something is brewin’, about to begin… Can’t put me finger on what lies in store, but I fear what’s to happen, all happened before.”

What to get yourself for Christmas

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A cynic has no easier target than Christmas.  As November wanes and December waxes, garlands rise incrementally around the malls, Fox renews its annual War on Christmas™ coverage and the radio stations shuffle over to endless repeats of Mariah Carey’s “All I Want for Christmas is You,” the holiday season reboots with all the originality and fervor of the latest superhero remake.  As the ornamented train shambles into the station, it brings with it the usual trappings of tinsel, spiked eggnog, impossible toy wish lists tailored by marketers and advertisers, hour-long quests for parking spots and harried photographers trying to capture the split second between tantrums as the toddler squirms on the lap of the weird bearded guy in the fuzzy red suit.  Movie studios roll out their usual December double act of just-in-time-for-awards-consideration artsy pieces and cheaply-cobbled- usually-starring-someone-from-a-failed-sitcom holiday fare for our consumption along with the millions of slain turkeys, pigs and tofu sloths we will burn for five hours and set amidst the plastic paraphernalia of our impeccably adorned dining room tables.  We will then gather the clan of people we’d ignore on the street if they weren’t related to us and consume our approximate body weight in shortbread and stuffing while hoping we don’t have to be subjected to yet another lecture about kids these days from the annoying uncle who dips too deeply into the punch bowl.

I nearly succumbed to this attitude the other night, while propelling our otherwise efficient and modestly economic vehicle at a funereal pace over gray sludge-strewn streets behind a throng of other roving metal boxes bent on the same destination.  Patience burned away to embers, and if not for the presence of my son in the back seat I have no doubt a few choice profanities would have splattered across the inside of my windshield.  Other than the exhaustion brought on by the end of the work day fused with sub-zero temperature and the (excuse the hyperbole) sheer inhumanity of total darkness at 5 p.m., there was no reason for it.  But for that brief moment, my Christmas spirit was absent, as though I’d left it in my other pants.  It is, I realized, a challenge to keep it.  No wonder Scrooge needed three scary-ass poltergeists to get him back into shape.

Christmas, as we’ve come to know it now, practically dares you to hate it.  It dares you to throw your hands up in resignation at the consumerism, the kitsch, the frequently awful music, the endless toys demanded from Santa that will be forgotten by February and the obsessive desire of some to recreate a neo-Dickensian display of forced family unity.  The pursuit of the “perfect Christmas” can be more of an exercise in stagecraft, as in designing the ideal movie set to permit the spontaneous eruption of merriment.  The “spirit” of Christmas is codified in a series of boxes to be ticked off:  tree, lights, cards, food, brown paper packages tied up with string.  I’m an atheist as you well know, but I sympathize sometimes with the Christians who put the “Keep Christ in Christmas” signs up out on their lawns alongside the backlit nativity scenes.  What are we celebrating, really?  The desperation of retailers to make up for months-long dry spells with one orgiastic year-end blow-out?  The ritual removal of millions of trees from the ecosystem to spend a few weeks inside living rooms before they are ground up for mulch?  Nerves frayed to the point of splitting in ensuring that everything goes exactly as planned and the turkey doesn’t catch fire?

To me, Christmas is best enjoyed broken down into small moments that form a series of triggers of positive emotions, both in connections to Christmases past and the forging of new memories to be cherished in the future.  The indelible scent of pine caught in the faintest whiff as you stroll into the kitchen for breakfast.  The adorable hand-crafted googly-eyed gingerbread man ornament smiling with a red felt mouth from within the branches.  The glow of candles and garland lights saturating the house with warmth as banks of frozen white pile up outside the windows.  The glint of those lights reflecting off the shiny wrap of the piles of gifts crowding the base of the tree.  Snowmen standing valiant guard outside.  The taste of cranberry, of red wine, of orange and of chocolate, popped into one’s mouth when no one is looking.  The scratches and pops on an old vinyl recording of a favorite holiday tune performed by a long-deceased crooner.  The telltale rattle of Lego in an unopened gift.  Fighting drowsy eyes to watch the 1951 A Christmas Carol for the thirtieth time while clad snug in brand new pj’s.  The silence of a house asleep, waiting for the arrival of Mr. Claus.  The face of the exuberant child beholding the bounty for the first time as cracks of sunlight spill through the windows and yawns escape lips.  The hug exchanged following the reveal of that most treasured item on the list that justifies in a heartbeat the hours spent combing the stores to find it.  And at the end of everything, sitting back on the couch, hot cocoa in hand, spouse curled up alongside, reflecting on a year of significant ups and dreary downs and thinking about the promise of new days to come.  Your mileage may vary, of course, but like the song says, these are a few of my favorite things.

You have to look for these little slices of wonder, be aware when they manifest and relish them before they disappear.  It’s the only way to avoid getting caught up in the pressure cooker that can often be the holiday experience and the overall dread of the inevitable January credit card bill.  But even the most notorious of failed Christmases will have its sublime moments hidden amidst the veil of falling snowflakes.  So grab a few this year and put them in your stocking.  They’re the best gift you can give yourself.

What are yours going to be?

Slán, mo chara beag

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When I was single, friends and family would often suggest that I should get a cat.  My answer was always no.  Not enough room in my one-bedroom apartment, I was in and out too often, there was no place to put the litter box and I had no interest in cleaning up furry messes every day.  The truth beneath those pat excuses was rather more revealing:  I didn’t want the responsibility.  I fancied myself a free-wheeler (even if most nights were spent at home on the couch or on the computer) and couldn’t abide the idea of having a feline anchor demanding constant attention and care.  The other, more appealing half of the equation never entered into my mind.  Truly, until you’ve had a pet, it doesn’t compute, and I grew up in a house without animals.  I’m not exactly sure why we never had a pet – I can’t even recall discussing the idea of one.  It seemed to be tacitly understood that animals weren’t an option, and that was that.

We flash forward then, to the time I met the woman who would become my wife.  And her cat, Muffins.

Muffins was a gray tortoiseshell born in 1992 who had belonged to another family for the first ten years of her life.  For whatever reason those people gave her up to the local humane society – abandoned her, as it were, to fifteen months hard time in a cage before her fateful encounter with my lady-to-be.  As the story goes, my wife was merely accompanying my sister-in-law who was interested in volunteering there, and while waiting for her to fill in the forms, wandered into the cat room.  It was replete with amiable felines in need of families, some of whom hopped about eagerly for attention while others curled up in resigned croissants and paid no heed to the human visitor.  Muffins, however, made her way to the front of her cage, sat back on her haunches and reached her little paws out through the bars to grasp my wife’s cheek – like an old soul recognizing its long-absent mate from a life lived in another time and place.  Their bond was sealed.  My wife adopted her on the spot.  A few hours later, Muffins took only a few moments to examine her new surroundings for the first time before curling up and going to sleep in my wife’s lap, purring, content, at ease.  She had come home, to her true forever home, at long last.

My own bond with Muffins wasn’t the touching moment related above, it was more of a gradual acceptance on her part that this tall, loud thing that spent an awful lot of time in her territory wasn’t going anywhere.  I was house-sitting for my wife shortly after we were first dating, dropping in for a few hours every night to ensure Muffins was fed and had some company.  So I was lying on the couch, channel-surfing, when I noticed this furry, adorable face on the floor looking up at me.  We stared at each other for a few moments, sizing each other up.  I patted my thigh in what seems to be the universal signal for hey cat, come up here and make yourself comfortable.  And up she leaped, to my shock and awe.  She stood there, pawing at the unfamiliar terrain, trying to figure out how best to position herself for maximum relaxation potential.  Of course I wasn’t used to how to deal with cats, so I was petting her relentlessly, probably a bit too hard, and she responded with an angry hiss and a swift departure, flicking her tail in my face as she went.  It would be a couple of months before she’d dare try again, this time when my wife was on a girls’ weekend away.  That time, I knew enough to keep my hands to myself – and she settled in for a cozy nap.

Game on.

It would take an entirely separate blog, I would think, to chronicle all of Muffins’ most endearing traits and quirks, but a few stand out more than most.  When we were first living together, Muffins used to tuck my wife and I in for bed at the end of the night.  She’d stay while we sat up and talked, read or did a crossword puzzle, but when she knew we were getting close to turning out the light, she’d leave – as if she was a nanny sending her charges off to sleep and retiring for the evening, her job done, until the morning when she heard us talking and would hop up on the bed to say hello again, it’s a new day, get your rears in gear.  As the years wore on and we relocated dwellings a few times, she began staying through the night, particularly in some bitter winters, where my legs became the bed of choice, and I’d have to find ever more contorting ways to slide myself down so I could go to sleep without waking her up.  We would joke, too, that whenever you put something soft like a blanket or a cushion down for more than a few minutes, it would become a cat bed – Muffins’ predatory instinct when it came to sleeping spots was unparalleled.  Even the little pink igloo we purchased for her went rarely used, her preference wherever a sunbeam fell through the windows.  It was not uncommon either to find a stuffed animal knocked over if it was in the way of a designated snooze spot; her usual targets were an Eeyore we kept on our spare bed or the snowmen in our annual “stuffy Christmas” display.  Of course, a few summers ago she abandoned her old habit of letting us sleep through the night and began announcing her arrival loudly at one or two a.m., repeating that inimitable wail until we awoke and attended to her whims.  For a short time I kept a plastic water gun on my bedside table to shoo her away.

Though meant to be an indoor cat, she loved roaming our various backyards, rolling around on and eating the grass, investigating nooks and crannies for potential mouse habitats and avenues of escape, defending with stubborn honor against the intrusion of other wayward cats, sleeping under this hideous tree in the back corner for hours at a time – yet never failing to return and wait patiently at the door for us to let her back inside.  On a particularly memorable occasion we had chosen to leave the back door open a crack to let her come and go as she pleased – that policy lasted a whole two days as on the second afternoon I looked up to see her trotting in merrily with a dead mouse in her mouth.  By the book you’re supposed to thank the cat and dispose of the corpse quietly (it’s their way of thanking you for feeding them by “getting the groceries” themselves) but my behavior was a little more along the lines of bellowing some unprintable oaths and smacking her on the nose to make her let go of the vile thing.  Then of course was this last summer when we forgot she was out back until well after the sun went down and we suddenly noticed a pungent smell wafting in through the windows.  We raced to the door and Muffins stumbled in, sneezing, drooling and dripping snot, having just been sprayed by a passing skunk.  One emergency run to the 24-hour grocery store for hydrogen peroxide and a few baths later, this shriveled, wet, ratty-looking thing wandered shaken through our contaminated house, trying to regain her composure.  We wanted to laugh but felt so bad for her.  She looked so embarrassed.

I’ve met a lot of other people’s cats who have fit the stereotype of the aloof, uncaring feline who treats you as staff instead of family.  Muffins, by contrast, never failed to be friendly even with complete strangers walking through the door for the first time.  She was a well-mannered hostess, dropping by to greet newcomers and offering little kitty kisses to let them know they were welcome, instead of fleeing from caresses, hiding in the closet and waiting for the interlopers to leave.  Of course she was getting something out of the deal, namely, the affection she vacuumed up like an overclocked Hoover, but she seemed to understand the importance of treating guests like family, letting them know that our home was a warm and safe and happy place.  In her own way, Muffins was a reminder even in the darkest moments of how truly wondrous this world can be.  The melancholy of the worst of days at the office, or the inevitable clashes between stressed spouses, was soothed instantly by an unjudging look from her enormous eyes, a touch of her gentle paws, the incomparable purr, the sight of her fast asleep on your lap or tucked behind a stuffed animal knocked askew.  Even the meow from some distant room elsewhere in the house, assuring you she was around.  It’s okay, mommy & daddy, I’m here.  What she asked in return was merely a scratch behind her ears and the occasional (okay, daily, truth be told) slice of deli honey maple turkey.

She infused herself into our vernacular as well – my wife’s original nickname for her was “boo boo,” hence shorthand references to Muffins became “the boo,” and boo became a prefix for anything related to her.  Dry food was boo bits, wet food was boo-goo, the litter pan was the boo box, the occasional coughed-up hairball was boo barf, even the aforementioned ignored cat bed became the boo-gloo.  Additional nicknames for Miss Boo herself became too numerous to count, as did silly songs we’d make up for her.  To the tune of Mary Poppins’ “Let’s Go Fly a Kite”:

Let’s take Boo to bed,

She is a sleepyhead,

Let’s take Boo to bed and hear her purring

Up to the second floor

Then through the bedroom door

Oh, let’s take Boo to bed!

One might think such devotion the exclusive bailiwick of the crazy cat lady, but she was our only baby for years, through failed attempts to conceive a child of our own, when it seemed parenthood was a path we would never walk.  Interestingly enough, when we met the boy who would become our adopted son, the first question he asked us was about Muffins (as I recall, he was disappointed that she was fixed and couldn’t have kittens.)  Of course, she came to accept him, though he was even louder than the last male to intrude upon her pleasant solitude.  We were in the kitchen, I think, and my wife whispered for me to look over into the family room where she was nestled on top of him for the first time.  Giving us her blessing, I suppose, that this kid was a keeper, regardless of his inability to sit still for longer than a minute at a time.

There is no interest, I suspect, nor any desire on my part to chronicle her decline in great detail, suffice it to say that age excepts none.  Over the past year her weight had begun to dwindle and visits to the vet became more frequent and more expensive.  To our credit, I suppose, we never questioned the need to give her the best care regardless of cost.  If it had been one of us who’d been suffering, we would not hesitate to pay whatever was required; so too would it be with our boo.  It was the responsibility part.  Oddly enough, maintaining her dignity was foremost on Muffins’ mind these last few months – much like a golden-aged human being fighting to hold onto what slips ever further from their grasp with each passing year, what it seemed would always be there.  The vet had suggested moving her litter from our basement to the main floor to ease the strain on her legs.  Well, didn’t the impossibly stubborn little lady simply refuse to go for two days until we put it back where she was used to having it.  I’ll just say there’s a reason why female cats are called queens.  Her Majesty Muffins was determined to remain so.  Yet despite her brave, ever-purring face, sober realization crept into our minds that her remaining days were dwindling – and at some point, a decision would have to be made.  A terrible, horrible, no good, awful and goddamned necessary decision.

Two Thursdays ago, Muffins wasn’t eating or drinking.  She was lying listless on her side, struggling to be comfortable.  We’d received the results of a recent blood test letting us know her kidneys were failing.  There were treatment options available, but no cure – it would be putting her through frightening medical procedures to extend her life only for a couple of weeks.  That Thursday night we said good night to her in the family room, afraid she wouldn’t make it through the night.  Friday morning we found that she had struggled her way up the stairs to crawl into a box in our bedroom – she didn’t want to be alone.  I went off to work allowing myself to hope that “Lady Bounce-Back” – our diminutive for her habit of recovering nicely from seemingly mortal ailments – would rule the day once more.  When my wife contacted me in tears later that morning, I realized that wouldn’t be the case this time.

The vet gave us a few moments alone to consider our options.  I made myself verbalize what we were both feeling.  If we put her through the ordeal of hospitalization, who were we doing it for – her, or ourselves?  So I said it.  We needed to put selfish concerns aside.  We needed to let her go.  My wife said she thought I was right.  Clenching at a rising lump in my throat I said I didn’t want to be right.

We both took a turn holding Muffins one last time.  She was angry – she didn’t like the vet’s office, never had.  Defiant to the last, the queen holding court and meowing and hissing her displeasure.  But we both knew that she was tired, and she was ready to go.  She was almost 22 years old – in human terms, nearing 140 – and she’d made the most of her time here.  The vet told us that it was a testament to how well she was looked after that she lived as long as she did.

I thought back to what my wife had told me about when she and Muffins found each other.  She went to sleep now just as she first had, in my wife’s lap – comfortable and content, surrounded by love and leaving now for that place without pain, to run and chase mice in an endless meadow beneath eternal sunshine.

We all want to deny the responsibility that goes with love.  We want no part of it.  We want the ice cream and not the brussel sprouts.  When we’re admiring the curve of a young woman’s perfect breasts or the sinew of her tanned legs, or losing ourselves in the depth of her soulful eyes, we don’t want to consider the idea that someday we’ll be changing her adult diaper or cringing at her inability to remember our name, or worse, watching her waste away in a hospital bed, hooked up to fluids and monitors and catheters as some microscopic, malevolent clump of cells eats her from the inside out.  Commitment terrifies us because like all sumptuous meals, eventually we know we’ll be handed the bill and asked to leave the restaurant.  Better to just walk on by that four-star place and purchase the Happy Meal instead, right?  Easier.  Quicker.  More seductive.

Hardly the most nutritious option.  To extend the food metaphor past its limit, it’s a recipe for loneliness.  To shy from that responsibility is to deny the greatest thing you can ever ask for.  If you can open your heart, you may find a gentle little being curling up inside it and starting to purr.

George Carlin once said that adopting a pet is essentially purchasing a small tragedy, unless you’re 80 and you get a turtle.  What he didn’t say was how despite that, adopting a pet is accepting unconditional love.  Muffins ended the question for me of whether or not animals have souls.  They are proof of the essential goodness of life, of its capacity to embrace and give and forgive, of life’s evolution towards a utopia dancing just ever so slightly out of reach.  Cruelty and malevolence are artificial constructs forced upon us by our unwillingness to share and to accept the responsibility of love, to treat living things as more valuable than things.  Muffins did not earn a salary or spend money:  her only currency was love, in which she was a billionaire many times over, and she lavished it upon us at every opportunity, without thought of reward.  She understood her responsibility.  She had it figured out, better than any of us.  The impatient meows were like tiny admonishments that we didn’t grasp the obvious.  Silly humans.

I thank whatever guides this universe for winding our paths towards one another, and even an atheist can dream about a far future day when he gets to cradle his beloved pet in his arms again, in some unfathomable form.

Until then, I miss her very much, and I thank her, and I say goodbye, my little friend.  I love you always.

See you on Rainbow Bridge, little lion

goodbye

My heart’s a bit raw right now.  So I’ll let this anonymous author say it for me.

Just this side of heaven is a place called Rainbow Bridge.

When an animal dies that has been especially close to someone here, that pet goes to Rainbow Bridge.
There are meadows and hills for all of our special friends so they can run and play together.
There is plenty of food, water and sunshine, and our friends are warm and comfortable.

All the animals who had been ill and old are restored to health and vigor; those who were hurt or maimed are made whole and strong again, just as we remember them in our dreams of days and times gone by.

The animals are happy and content, except for one small thing; they each miss someone very special to them, who had to be left behind.

They all run and play together, but the day comes when one suddenly stops and looks into the distance. Her bright eyes are intent; Her eager body quivers. Suddenly she begins to run from the group, flying over the green grass, her legs carrying her faster and faster.

You have been spotted, and when you and your special friend finally meet, you cling together in joyous reunion, never to be parted again. The happy kisses rain upon your face; your hands again caress the beloved head, and you look once more into the trusting eyes of your pet, so long gone from your life but never absent from your heart.

Then you cross Rainbow Bridge together….