The future ain’t what it used to be

It’s 2012 – wondering where the flying cars are?  The way some people drive, maybe it’s not a bad thing Ford hasn’t rolled them off the production line yet.  But as a fan of science fiction from a young age, a passionate supporter of space exploration from around the same time and a gazer at the stars from long before that, I kind of expected the future to be, well, a little more futuristic.  I’d hate to think that all those classic movies like 2001: A Space Odyssey lied to me, and yet, as 2001 came and went we weren’t boldly voyaging to Jupiter and beyond, we were mired in terrestrial disputes, our feet welded to the ground by political infighting, war, terrorism and relentless media-induced fear.  The words of Robert F. Kennedy come to mind:  “Some men look at things the way they are and say why; I dream of things that never were and say why not?”  Somewhere along the line we, collectively, stopped dreaming of things that never were and became coddled by advances in technology that heighten only the convenience of life, not its quality.  Probably the greatest step forward in the last ten years has been anything produced by Apple, and yet, really, a portable Justin Bieber catalogue isn’t exactly the sort of thing Jules Verne would have envisioned as a quantum leap.  We still get from place to place, basically, on 19th Century engines – they are faster and sleeker but the principle is the same one that propelled your great-grandfather’s old jalopy down Main Street when it was a dirt road with horse hitching posts along the sidewalks.  As Leo McGarry opined on The West Wing, “where’s my jetpack?”  Forget that – I want my damn Back to the Future Part II Mattel hoverboard.

I laud the advances we’ve achieved in communication, this forum being one of them.  What concerns me is that we are moving towards a point in our existence where we may have very little of substance to communicate about.  Human beings are needy creatures – we are forever craving stimulation to make us productive.  From adversity comes advancement.  But what happens when life is so easy, so crammed with distraction, that challenge is all but forgotten?  Look at the difference in a little over half a century – after Pearl Harbor, Americans banded together to enlist, volunteer, ration, buy bonds, collect scrap metal, anything that could be done to assist in the war effort.  Contrast that to the post-9/11 era where the President told his people that the best thing they could do to help their country was to go shopping.  Rosie the Riveter?  Nope, Penny the Power Purchaser.  And why?  Because it’s easier.  It’s yet another distraction, an erosion of altruism for self-interest über alles.  Surrounded by distractions, we do not think.  We forget about the whole and focus on the pleasure of the one.  These mass-produced trinkets are fun, but they fill the one empty space that should be uniquely our own – our imagination.  They saturate it so completely that we don’t think we are lacking for anything anymore, and thus, we are no longer compelled to create.

I am a victim of this myself.  When I was first living on my own, I had only an old computer with no Internet capability, let alone access.  I wrote constantly, generating screenplay after screenplay, thousands of pages of would-be novels.  Without distraction, I could focus on creation.  Then one day I decided to buy a Nintendo 64.  And who wanted to stare at a blank screen and flashing cursor anymore when there were so many goombas for Mario to jump on and so many princesses to save from castle dungeons?  My imagination took a huge hit and I don’t think it has ever completely recovered.  To this day I prefer surfing through a few favourite sites and catching up on the latest show business news over writing something of my own nine times out of ten.  I’ve been prolific here lately because I’m really forcing myself.  But it’s not easy.  The lethargic soul is a persistent enemy forever at the gates.  And he seems tragically immortal.

Primitive computers with barely the memory of today’s pocket calculator helped land men on the moon and return them safely to Earth.  That was in 1969.  2001: A Space Odyssey came out a year earlier, and given the pace at which things were happening then, it seemed a reasonable prediction - barring the unforeseen bankruptcy of Pan Am – of what our lives could be like as the 21st Century dawned.  Instead, HAL 9000 is the iPhone 4S, and the moon seems further away than ever.  But goshdarnit all, I’ve got 100,000 songs in a little gizmo a third the size of my wallet.  Is this what RFK had in mind when he was dreaming of things that never were?  Is this what Stanley Kubrick expected?  Is this what Aristotle, Copernicus, Leonardo or Galileo would have wanted?  Full seasons of Fear Factor streaming to my HDTV on Netflix?  Snooki with a million Twitter followers?

The capacity of what humanity can do with imagination and hard work is limitless.  But we have to force ourselves to look up from the screen and back at the stars again.  Because although they’ll be there forever, we won’t be, and I’d rather not see the ability to download Jackass 3-D at lightspeed as our civilization’s greatest lasting legacy.

The Winter of Discontent – West Wing Season 5

As I’ve mentioned before, we spent the summer rewatching The West Wing from start to finish.  That marathon ended a few weeks ago and I’ve been neglectful about sharing further thoughts on this epic journey of television drama.  It seems appropriate then to return to the subject on the 45th anniversary of the debut of another classic NBC program some of you may be familiar with – Star Trek.  There is even a touch of synergy to the two in that the only appearance on TWW by a regular member of a Star Trek series cast in fact took place in Season 5.  Think about that for a moment (no running to Wikipedia to check) and I’ll reveal it at the end.

John Wells is no slouch, but even he had to be scratching his head as to how to resolve the conundrum Aaron Sorkin left him in the fourth-season finale, Twenty-Five.  Zoey Bartlet was a hostage to terrorists, President Bartlet had stepped aside and conservative Republican Speaker Glen Allen Walken was now Acting President.  I can picture Wells nursing a scotch, staring at a blank screen with a cursor blinking and hurling a stream of profanity at it.  Equally disorienting is the experience of watching the fifth-season premiere, 7A WF 83429.  The teaser begins with whip-pans, quick cuts, distorted sounds and images (such visual trickery becoming the trademark of director Alex Graves) and the audience desperate for a glimpse of the friends they’ve missed since the end of season 4.  When you do see them finally, they are disheveled, in darkness, as lost as we are without the familiarity of Aaron Sorkin’s keyboard behind the scenes.  Wells did the best he could, and the episode does have some beautiful moments – the ending montage set to Lisa Gerrard’s “Sanvean” in particular – but things just aren’t right.  I said earlier today that watching the post-Sorkin West Wing is like going back to your favorite restaurant, saying hello to your favorite waitress, settling into your usual table, reaching for the menu and finding out they’ve changed chefs.

It’s tough to say for certain, but Sorkin seemed to take great care in ensuring that characters behaved consistently from one episode to the next.  You get the sense in many of the season 5 stories that characters who would habitually go left were being wrenched right (no political pun intended) to serve the demands of the plot.  Would the Leo McGarry who saved Josh Lyman from being fired in the pilot and told him “as long as I’ve got a job, you’ve got a job” in Season 2′s Noel really strip Josh of his legislative portfolio and cut him out of the loop as he did in the three-episode arc that followed Constituency of One?  Would Leo really be willing to walk from Jed’s side to defend some other guy – supposedly his real best friend, whom we’ve never seen or heard about before – in An Khe?  Would the Bartlet administration, who had shown such hope and confidence in NASA in Galileo really become utterly disdainful of them in The Warfare of Genghis Khan?  And how in the name of all that is holy did Congressman Robert Royce of Pennsylvania from Season 3 suddenly become Senate Majority Leader in Jefferson Lives?  (I blame a casting mishap on that one – I’m guessing that the “Majority Leader” character was written with no one in mind, H. Richard Greene was cast before anyone remembered he’d already played this other role, and the character was then named Royce in a bit of retroactive continuity.)  Still, this lack of internal consistency in Season 5, an unfortunate side effect of a dozen writers working on it instead of only one, only adds to the discomfort we feel in watching it.  These people don’t feel like our friends anymore.  They’ve changed, man.

Ultimately, Season 5 was when The West Wing went from masterpiece to just a pretty good show.  And yet there was one standout gem of an episode that just for its 43 minutes made one hope that the magic could be recaptured.  I’m referring of course, to the fake documentary episode Access.  JUST KIDDING!  Heavens no.  That well-meaning misfire is best left forgotten.  I’m referring to Debora Cahn’s award-winning The Supremes.  The elderly liberal Chief Justice is ailing, a young conservative judge on the Supreme Court has died, and the White House is besieged on all sides as they attempt to choose a replacement who can survive the Senate confirmation process.  In what had to have been one of the most expensive guest casts for a single episode of television in history, Glenn Close, William Fichtner, Mitchell Ryan, Milo O’Shea and Star Trek: Voyager‘s Doctor, Robert Picardo, all lend their dramatic talents to what turns out to be a funny, erudite, wholly implausible but inspiring and thoroughly entertaining romp – ending with a scene of standing ovation that we want to join in with.  While the nitpicker in me bemoans the absence of even a mention of Season 1′s Justice Mendoza (with all those other guest stars they surely couldn’t afford Edward James Olmos as well), the episode is a little helping of vindication for those of us who stayed with The West Wing, lending some hope that all was indeed not lost.  Those beloved characters felt like our friends again.

Ironically, Season 5 would be the last time The West Wing would operate as originally intended.  Season 6, which I’ll get into at another time, saw old friends change jobs, new characters enter the picture and the thrust of the show become not the administration of President Bartlet but the race to replace him – with several episodes in the latter half of the season taking place not anywhere near the White House.  For me, the final word on Season 5 – and there could be more, but I’m trying to keep it under 1000 words – is best paraphrased from Toby’s pronouncement on Bartlet’s new Vice-President, Bob Russell.  It wasn’t the best, it wasn’t the worst, it was just what we were stuck with.