Category: The Little Voice


Hail, ye olde Commodore

Hello, old friend.

Ready.  That’s what my Commodore VIC-20 told me every time I flipped it on.  No “Press Ctrl+Alt+Del” or any other series of commands to get things moving.  Just Ready.  Ready for what seemed like the limitless possibility of high-tech adventure waiting at the first keystroke.  A basic calculator purchased at the Dollar Store today likely has more computing power than my old Vic, the chunky pillow-sized box you had to plug into your television.  Commodore has faded from the scene, its late founder Jack Tramiel, who passed away Sunday at the age of 83, hardly a household name with the recognition factor of Jobs or Gates.  But for many of us who have grown up never knowing a world without computers as a part of regular life, the Commodore line was our gleaming key to the front door, an inexpensive welcome into the virtual world of ones and zeroes that has come to redefine history.  It was ready, and so were we.

Pitched on television by none other than William Shatner, the VIC-20, introduced in 1980, was already obsolete when I unwrapped it one fateful Christmas morning three decades ago, but it cost half as much as its successor the 64.  It came with a pair of game cartridges – a thinly disguised Pac-Man clone called “Cosmic Cruncher” and the frustrating “Jupiter Lander,” where the goal was to guide a collection of pixels roughly resembling the Apollo 11 lunar module across the uneven green blob of an alien world.  I like many other youngsters of the era was more interested in the instruction booklet, because it included a tutorial on basic programming language, a rudimentary guide to getting your Vic to do anything.  A handful of sample programs were included, my personal favourite being one that showed you how to animate a stick figure doing jumping jacks.  10 PRINT “\O/” was the first line and you can guess where it went from there.  If you were really ambitious, you could get the jumping man to change colors too.

The most complicated program in the guide created a menu from which you could select one of three different dishes, the recipes for each you had painstakingly typed into the Vic’s memory, and these were the days when you couldn’t save anything.  Unless you had the add-on cassette drive, which used audio tapes you hadn’t already turned into bootleg recordings of Thriller to store dozens of primitive games and anything else you could dream up to impress your friends.  Can’t-miss cartoons of the day were swiftly forgotten, replaced by hours inputting commands to make the Vic do anything from drawing a happy face to calculating baseball statistics to asking trivia questions.  You didn’t need a degree in coding to get the Vic to perform for you; a quick study through the manual was enough to get you going.  In many ways its simplicity helped demystify and deprogram – pardon the pun – the idea of the cold, impenetrable, malevolent silicon intelligence of HAL 9000 and his cinematic siblings from the public consciousness.  Now, anyone could figure these things out and make them dance.  It made us feel in charge of our machines again.

Looking back the entire package was not much of a step up from punch cards and the telegraph, but that didn’t matter.  What differentiated the Vic from its competitors was that with the Vic, you weren’t just playing in somebody else’s pre-designed sandbox, limited to discovering new ways to guide a frog across a highway or save a princess from an angry barrel-throwing monkey.  The Vic was your sandbox – you were learning and creating.  You were computing.  You were laying the foundations of the next great evolution in human communication to come, even with the brown buttons and the beige box.  The Vic, and its more successful cousin, the Commodore 64, gave you the ability to exercise the most important muscle of all – your imagination.  All it asked was that you be ready, and at the appropriate time, type in RUN.

Twenty Five

Nothing can prepare you for the news that your father is gone.  It doesn’t matter if it’s expected, the inevitable conclusion of a long terminal illness, or sudden, like the turn of a page.  You are spending the afternoon in the snow with your friends when someone comes to you and tells you to be brave.  And then they lead you to a room where your mother is sitting, her face the picture of devastation.  There is no easy way to tell you, but she tries to ease into it as smoothly as she can – mindful of the fragile heart of an eleven-year-old boy.  The fateful words come.  “I’m afraid he died.”  The rest of the moment is lost in a torrent of sudden tears wailed into her arms.  It can’t be, you think in the spaces between the sobs.  Not him.  Not my dad.

That boy was me, twenty-five years ago this afternoon.  More than any other day, February 12th, 1987 has shaped who I have become, because it was the day I lost my best friend in the world, the man I admired above all others.  He was everything I ever wanted to be, a legacy to which I still aspire, and if I live another sixty years and achieve half of what he did I can leave this life content with how I’ve used my precious time on this little rock.  Was he a famous man, an influential man, a man of letters or worldwide renown?  Google his name if you want; you won’t get any hits.  But that doesn’t matter to me.  My father remains the ideal of what it means to be a man.  Without his guidance this past quarter-century I have looked to other mentors from time to time and each has come up a distant second (and occasionally further back even than that) through no fault of their own.  They’re just not and will never be my father.  Growing up without your dad is a bit like trying to canoe on your own against a heavy wind.  Without him in the stern guiding you with his steady paddle, you’re often blown far off course and will struggle to find your way back – perhaps never.

My father never judged me.  He never forced me in a direction I didn’t want to go.  When I was abjectly miserable following my first-ever hockey practice, humiliated by kids who were bigger and better at it, he told me I didn’t have to go back.  And yet he wasn’t a coddler or a helicopter father.  In the junior soccer league in which I played, it was something of a running joke that it was customary for the coach’s son to win the Most Valuable Player Award every year - predictable nepotism from showbiz dads convinced their kid was the next Beckham (or Pele, if we’re using a decade-appropriate reference).  But not the year my dad coached my team.  He wasn’t going to give me something I hadn’t earned.  I got Most Improved Player – because despite my total lack of athletic skill, I worked incredibly hard, suffering skinned knees and bruised shins, for him.  (Most Injured Player would have been more apt.)  Making him proud was more than enough for me.  An interesting aside to this story is, that year our team lost every single game except the three my father wasn’t able to attend.  My teammates begged him not to come to the championships.  He did regardless – and we won the whole blessed thing.  I still have the trophy.

Dad taught me baseball, he taught me to ski, he taught me to love the Beatles.  Where other kids recited “Old McDonald Had a Farm,” I sang “Norwegian Wood” to perplexed relatives and he beamed.  I laughed at his inability to decipher song lyrics and the comical nonsense words he came up with instead.  I watched my cousin tear up on her sixteenth birthday as she listened to the playlist of 50′s jukebox classics he had assembled for her big day.  I watched his delight at the smile on my face as I tore open the newest box of space Lego.  I watched him shrug off with a smile the time I embarrassed him in front of our entire church congregation.  He had a rare capability to spread joy, and he did so whenever the opportunity arose.  He could befriend complete strangers in minutes.  You could not walk down the main street of our home town with him without running into someone he knew.  And you always got the sense that everyone he did know, whether casually or intimately, cared deeply about him as well.  He had that effect on people.  When I was struggling with bullies or simply trying to figure out my place in the world, his arm around my shoulder assured me that everything was going to be okay, because he had my back.  No matter how dark the night, the voice of my father was the light.  One of his last gifts to me was in the early stages of my figuring out that I wanted to write.  On weekends, or in the summer, he’d take me to his office and park me in front of the old Xerox computer with its floppy discs the size of pizza boxes and encourage me to type and just dream.

The last time I saw him, he wasn’t feeling well.  He’d taken the morning off and was still in bed as I got ready to head off to an overnight stay with my weekly enrichment class at a nature park a few hours north of us.  I went into the bedroom to say goodbye, never imagining this would be our last moment together.  I gave him a kiss on the forehead and said I would see him in a few days.  When I saw him those few days later he was lying silent and cold on a table in the funeral home.  And I still expected him to open his eyes and look at me and smile, and tell me that it would be all right.  It felt like we had so much left to do together.  The Blue Jays were going to be starting a new season in a few months and there was a new Bond movie coming out in July that he’d promised me he’d take me to see.  Wake up, Dad.  I still need you.

For twenty-five years there has been a father-shaped hole in my life; I have lived far longer without him than I did with him.  I am only five years younger now than he was when he died, and not a day passes that I don’t think of him, and miss him.  I reflect on some of the disastrous decisions I’ve made in my life and think if he had been here, maybe he could have steered me away from those rocks and shoals.  Age has made me look more like him too; there are moments when I see pictures of myself now and shiver a little at the uncanny resemblance.  I have felt for much of my life like a mere echo of his voice, my path ever uncertain, every step of the way wondering what he would think of the choices I’ve made, if I have lived up to the example he laid down in his too-brief journey.  I am not really a spiritual person, but I feel the same longing to be able to ask the absent Father if I am all that I am meant to be.  If I am worthy of his name and of his love.  I feel it so acutely of late, like a needle twisting in my heart, and today most of all.  I want to hear him say he’s proud of me.  That’s all I’ve ever asked.  It is all the validation I’ll ever need.

After my mother passed away several years later, we had a small ceremony to place her ashes with his.  As we left the cemetery, a pair of geese from a nearby hill took off and soared away into the sky.  The timing was eerily serendipitous; it was almost as if they were together again now, reunited in a new life and heading off to adventures bold.  One could even imagine that they were bidding me a last goodbye, secure that they had done all they could and were letting me go now to face the challenges of the future with the strength and the values they had instilled in me.  Values of kindness, respect, compassion, empathy and love.  Everything I am I owe to them, and through the sadness, I feel gratitude.  I wish I could tell them that.  I wish I could toss the ball around in the backyard with Dad and complain about the lack of depth in the Jays’ pitching staff and ask him what he thinks of Daniel Craig as James Bond.  I wish I could introduce him to my beautiful wife and listen to them sing together – they’d sound terrific, I’m sure.  As amazing as my wedding was, Dad leading the guests in a round of “Yes, We Have No Bananas” with half the words wrong would have made it even more memorable.

There is an old saying that a candle that burns half as long burns twice as bright; I have to believe that in the eleven short years I had with my father we burned brightly indeed, and that we loved each other as much as a father and son could.  Perhaps I don’t have his counsel anymore, or his arm around my shoulder on those darkest days, but I have the life he gave me, and the road ahead that is his greatest possible bequest.  I don’t think I’ll ever stop missing my dad, but when I get up tomorrow and start my twenty-sixth year without him I will try to carry the best parts of who he was through all the rest of my days, and live the life he would have wanted for me.  And I hope that’s tribute enough.

I love you, Dad.

Blain William Milne

1945-1987

A few weeks ago, an episode of The Simpsons took a poke at Lego, criticizing the volume of licensed Lego products and charging that the world’s favourite building toy is no longer about individual imagination and creation, but rather the mindless duplication of whatever the designers have created for you.  Certainly Lego has changed since I got my first set back in the early 80’s.  Back then, aside from the boxes of generic brick assortments, there were only three product lines – Town, Castle and Space.  Nowadays, there’s Pirates of the Caribbean Lego, Harry Potter Lego, Star Wars Lego, Spider-Man Lego, and a forthcoming Lord of the Rings line, where you will finally be able to purchase a Lego Legolas (the mind trips at the metaphysical implications of that one).  There are Lego video games, Lego board games, Lego cartoons, Lego movies, even a Lego Architecture line where you can recreate famous buildings like the Sears Tower or the White House.  YouTube is full of amateur Lego recreations of classic movie scenes and Eddie Izzard’s comedy routines.  And the surest sign that the popularity of the little Danish toy that could continues to swell is that much to the chagrin of parents, retailers almost never put it on sale.  Lego comes as close as any product I know of to a textbook example of inelastic demand.

Upon glancing through the Lego section of your local Toys R Us, it would seem that the trend has moved towards replication rather than innovation.  The instructions enclosed with each set used to be harder to follow – you would be shown stages of construction and it was up to you to figure out which bricks you needed to find amidst the pile.  Now everything is laid out much more clearly, with each brick given its own part number, arrows showing how they should be connected, and a helpful suggestion to assemble your set on a hard surface, not a rug (I guess during all those hours assembling spaceships on my bedroom carpet, I was doing it wrong.)  At the same time, not that I’m keen to disagree with The Simpsons on anything, but upon deeper examination, their assertion is still not particularly fair.  To its credit, Lego has been savvy enough to realize that their sets have different levels of appeal:  some want to collect the licensed sets just to build them as presented, but the majority of Lego’s fans treasure these sets not just for the chance to build an X-Wing, but for the customized parts that can spur their own flights of fancy.  The first Lego bricks were strictly rectilinear, but with the new lines came varieties of curved bricks and specialized parts like flags, steering wheels, fruits, swords and countless others that opened up new possibilities for creation – everything didn’t always have to be ninety-degree angles anymore.  Indeed, builders both young and adult have flooded the Internet with images of fantastic constructions, some inspired by popular culture, others wholly new and inventive.  One could be given a collection of paint and shown step-by-step instructions on how to recreate the ceiling of the Sistine Chapel, but the true artist will always use that paint as the building blocks – sorry about the pun – of their own unique fabrication.  The same as how a keyboard could theoretically be used to retype A Tale of Two Cities, if that is your inclination, or it can help write a new, original masterpiece.  Lego is at its core merely a tool for creativity, and the set designs are only one option for how to wield it.  The use of the tool is up to the individual.

There is still significant merit in “just following the instructions,” as some of my friends used to natter dismissively.  A great number of today’s engineers are kids who grew up putting Lego together.  It can be an invaluable vehicle for the conceptualization of spatial relationships.  Personally, I have a profound interest and obsession with comprehending how and why things work – I’m not one to take the world on faith alone, and much of this I can trace to my fascination with watching Lego spaceships take shape one brick at a time.  To this day I still find assembling Lego to be a most relaxing activity – my mind is at peace and my attention focused on the movement of my fingertips as each piece is connected to the next.  If nothing else, it’s made me a genius at putting Ikea furniture together – so let no man assert that those silly plastic bricks are of no practical value in the real world.  As far as I’m concerned, anything that fosters curiosity and a need for understanding is a good thing.

Now I just need to see if that argument works with my better half regarding that $400 Lego Star Destroyer I was eyeing this past weekend…

UPDATE:  This story came out the morning of January 25, showing the kind of creativity Lego can inspire.

Graham’s Quackers

I still have my first teddy bear.  He is an auburn koala named Ozzy, and while his original ribbon is long-gone and his snow-white tummy has greyed over nearly four decades, he’s still in huggable shape.  There’s a picture of him in his youth watching over me as I sleep in my crib, with the same peaceful expression stitched on his face.  A few of his friends are still around too – a wobbly dark brown bear who used to play “Rock-A-Bye-Baby,” and a squeaky little critter who is best described as resembling an open-faced grilled cheese sandwich.  Wherever I have gone, in the umpteen different places I have lived, these guys have tagged along, managing to escape the grisly landfill fate that is seemingly the destiny for many stuffed friends who have outlasted the childhood of their owners.  To my better half’s occasional chagrin, I have always had a soft spot – pardon the excruciating pun – for stuffed animals.  No matter how stressed one gets throughout the rigours of life, a glance from one of these inanimate, insufferably cute critters always seems to say “hey, it’s okay.  You’ll be fine.”

One of our favourites is a duck named Quackers.  He’s a beanie baby who came from my sister’s collection and somehow not only ended up with me, but survived a garage sale purge of dozens of his brethren along with his companion, a swan named Gracie.  Normally they sit together in our closet, but on occasion, Quackers likes to go roaming.  You’ll be selecting a shirt to iron for tomorrow when you’ll notice abruptly that Gracie is alone and bereft.  Quackers can turn up anywhere - hiding under the bed covers, lurking on top of an open door, nestling among socks, shivering in the refrigerator, tumbling in the dryer, surfing the net or even, on holiday occasions, perched in the Christmas tree.  The better half protests innocence in the matter of Quackers’ frequent sojourns – indeed it often seems that this yellow mallard has a mind of his own.  Discovering his latest hiding place never fails to draw out a grin, regardless of the foulness (or is that fowl-ness?) of one’s mood.  He is one sneaky little ducky, full of personality - though he never says a word, and the rational adult in me knows he was designed, stitched together and stuffed in an overseas factory along with thousands of identical cousins, and that he is nothing more than an amalgamation of cotton and polyester.  We have a natural tendency to imbue animals, whether real, animated or stuffed, with human traits, and are inclined to respond protectively and with love to things that are innocent and helpless - the latter remains the highlight of our capacity for nobility as human beings.

Corinthians has a famous verse about growing older and putting away childish things.  There is a difference though, in what is childish and what is childlike.  It’s important to hold onto the best traits of youth throughout life – honesty, excitement, creativity, imagination and wonder at the miraculous.  These are often best embodied by the toys we treasured in the days when we knew nothing of money, politics or the cruelty of history.  They are forever unchanging, locked into that part of our lives we sometimes wish we could recapture but remains, like memory and time, slipping ever faster through our fingers.  When I discover Quackers peering at me from behind my computer screen, I smile, and for a fleeting moment my soul is five years old on Christmas morning.  Pretty amazing gift from a mere collection of thread and fluff.  Thanks, little fella.

He's watching you!

Presented for your enjoyment.  All content of course the property of The Hub and the creators of the show.  In my previous post on My Little Pony:  Friendship is Magic (and don’t worry, this blog is not going to degenerate into a weekly update on all things pony) I pointed out the show’s embrace of remix culture and its extended “brony” fanbase.  Below are a couple of screengrabs from the most recent episode, taking place in a bowling alley.  Ask yourself how many tween girls would notice this – and understand the reference:

It's "The Jesus" himself! With a hairnet covering his mane and tail. But who else is lurking in the background off to the right... look a little closer now...

 

It is! The Dude, Donny and Walter! Man, that really ties the episode together!

Yes indeed - The Big Lebowski has invaded My Little Pony.  A cult movie that sits in the top ten list of the most uses of the F-word has snuck into a kid’s cartoon.  Young girls won’t get it.  Bronies will love it.  And much rejoicing and many celebratory White Russians will ensue.

It’s just like, my opinion, man, but I really dig this show.

My my, little pony

What kind of week has it been?  Occupy Wall Street is spreading.  The GOP presidential contenders are an increasingly madcap circus act absent only the clown noses.  Canada is about to get slammed with ridiculous “tough on crime” mandatory minimum sentencing laws that even Texas Republicans say don’t work.  Carson Kressley got voted off Dancing with the Stars.  And it’s raining so hard tonight that one half expects to spot a bearded man gathering two of every animal.  What better time to talk about… My Little Pony:  Friendship is Magic?

At first you might think that I have finally lived up to the name of this blog and gone, accordingly, crackers.  But the spread of this latest pop culture phenomenon is fascinating and worth some discussion.  Besides, I feel like I’ve gotten awfully serious in the last few posts and I, not to mention readers, could probably use a little bit of fluff to part the clouds.

Last year, HUB in the U.S., formerly Discovery Kids, began airing My Little Pony:  Friendship is Magic.  The animated series follows the exploits of studious young unicorn Twilight Sparkle and her friends:  countrified orchard keeper Applejack, posh fashion designer Rarity, tomboy speedster Rainbow Dash, sweet and timid Fluttershy and basically bonkers Pinkie Pie, learning lessons as they tangle with relationships, responsibilities and the occasional monster.  It sounded for all intents and purposes like just another girly, glorified toy commercial.

But then the series hit the Internet, and like the proverbial wildfire, exploded, as a demographic beyond the dreams of the show’s creators seized upon it and began extolling its virtues on popular discussion boards like 4chan and Memebase.  Episodes were dissected, minutiae memorized.  An animator’s error crossing one of the background ponies’ eyes gave birth to a fan-fiction character, “Derpy Hooves,” with a history and personality all her own.  Teenage boys and even older fans adopted the show’s catchphrases and dubbed fellow enthusiasts “bronies” – a portmanteau for ‘brother ponies.’  It did not take long for fandom to spread beyond cyberspace - the phenomenon became so large that bronies were deemed worthy of mocking (unsurprisingly) on Fox News, Stephen Colbert gave bronies a shout-out on his show, and even President Bill Clinton was quizzed on his knowledge of Friendship is Magic on a recent radio appearance.  (For the record, No. 42 got all three questions right.)

What the hell, the unconverted might ask.  What do all these people see in a kid’s cartoon?

This, perhaps?

Firstly, it’s funny as all get out.  Series creator Lauren Faust has The Powerpuff Girls on her CV, another ostensibly “girly cartoon” that peppered its plots with enough clever pop culture references to amuse any adults who happened to be in the room half-watching along with their kids.  The humor in MLP:FIM doesn’t rely on tired allusions to worn-out zeitgeist staples like say, Family Guy might, but instead manages to find the humor in its characters, often in a wink to an awareness of its own absurdity as a world inhabited by anthromorphic ponies.  Witness an episode featuring a horse-drawn carriage, where the horse dragging the carriage stops, looks back at his fellow horse riding inside it and says “Ok, your turn to pull now.”  Secondly, despite the fantastical setting, the problems faced by the “mane six” are very real, and very relatable.  Unlike so many anime-influenced cartoons where of a twenty-two minute running time, ten of those minutes are devoted to fight scenes, six to redundant transformation sequences and the last few on actual character and plot, the ponies’ adventures often find them simply overcoming jealousy, petty rivalries, xenophobia, prejudice and ignorance, forging tighter bonds of friendship through understanding rather than a super-mega-plus-over-9000-uber-power explosion.

Thirdly, perhaps most of all, the characters are likeable and truly endearing.  Each has a charming quirk that never veers into pretense.  For Applejack, it’s her Southern drawl and her myriads of relatives all named after breeds of apples, from older brother Big Macintosh to doddering old Granny Smith.  Rainbow Dash scores for her Maverick-esque love of and need for speed.  Pinkie Pie’s unpredictable non-sequiturs and never-ending cheerfulness lead her to steal every scene she’s in.  But the most popular has turned out to be the milquetoast pegasus pony Fluttershy (seen above), whose tender voice – performed by actress Andrea Libman – and mannerisms practically dare you not to sigh “awww,” as if you were looking at your umpteenth YouTube kitten video.  Fluttershy’s most notable moment comes in an episode where Rainbow Dash is trying to teach her how to cheer, and Fluttershy can only respond with a pathetic, whispered “yay.”  Of course by the end of the episode she explodes with excitement at her friend’s triumph in achieving the fabled “sonic rainboom.”

If it all sounds awfully saccharine to you, you’re probably right.  Why then does it rate so highly with people who would otherwise dismiss it as childish nonsense?  MLP:FIM has become a shining example of what I referred to when talking about Star Wars a few posts ago, the idea of remix culture – art that is no longer the property of one but is instead shared and shaped by legions.  Indeed, the show’s creators have embraced their internet following and have even incorporated some of the fan creations into their own canon, transforming the series essentially into an interactive experience.  More than that, My Little Pony:  Friendship is Magic succeeds, I think – and why for Fox News its popularity does not compute – because it is completely devoid of cynicism and snark.  When so much of our popular culture and indeed our humor is devoted to mocking the shortcomings of others, MLP:FIM stands apart as a warm, innocent and welcome throwback to a yearning that many of us have buried inside, that our problems can indeed be solved with compassion and without tearing each other down.  Sometimes it’s good for the soul to embrace the sweetness and simply enjoy something on a visceral level without pausing to take the piss.

And if that makes us bronies, then I guess I’d just say, after Rainbow Dash, that we’re 20% cooler because of it.

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